I took my camera out this afternoon and located two cherry trees not on our street.
( Private lawns, public parks. )
Having bailed on April in Paris (1952) when the point of the comedy switched entirely to enforcing chastity until marriage, I went looking to see what else on TCM starred Doris Day and discovered Calamity Jane (1953). Is that movie a mess of gender trouble. It's not, like, Johnny Guitar (1954), but it may feature the single least convincing heterosexual endgame I have seen from its decade and its decade was rife with het pasted on yay. As the female leads were fixing up a cabin together, I yelled to![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
spatch, "You can tell it's a lesbian romance! They're using tools!" I assumed I recognized the exuberant "The Windy City" from Standing Room Only until my mother informed me that I had of course seen the film as a child, when I was exposed to a wide range of movie musicals, some of which I remember better than others. I could have done without the casual frontier racism, but otherwise, of all the things to forget.
( Private lawns, public parks. )
Having bailed on April in Paris (1952) when the point of the comedy switched entirely to enforcing chastity until marriage, I went looking to see what else on TCM starred Doris Day and discovered Calamity Jane (1953). Is that movie a mess of gender trouble. It's not, like, Johnny Guitar (1954), but it may feature the single least convincing heterosexual endgame I have seen from its decade and its decade was rife with het pasted on yay. As the female leads were fixing up a cabin together, I yelled to
spatch, "You can tell it's a lesbian romance! They're using tools!" I assumed I recognized the exuberant "The Windy City" from Standing Room Only until my mother informed me that I had of course seen the film as a child, when I was exposed to a wide range of movie musicals, some of which I remember better than others. I could have done without the casual frontier racism, but otherwise, of all the things to forget.
