For various reasons, today is mostly a disparate collection of links. I have perhaps a hallucination of watching and writing about a movie tonight. Maybe just work.
1. David Walsh situates the man in the White House in a context of classic American anti-Semitism à la Henry Ford. David Schraub observes that once again right-wing anti-Semitism is greeted by non-Jews with a shrug, not a media blitz, and would like that to change. I have nothing personally eloquent to say on the subject at this time; it stresses and scares me. It's not new behavior on anyone's part. That does not lessen its damage. Kind of the other way round, really.
2. Both of these poems stick with me: Vincent Toro's "All the Mexicos" and Susan Rich's "The Photograph Suggests a Hidden Life." The sidebar of the latter suggested Lory Bedikian's "The Mechanic," which I am also still thinking about.
2. Courtesy of
rydra_wong: "They eradicated smallpox, Nigel."
4. I would like to see this exhibit of Edvard Munch, except as usual I don't have a teleporter. I was surprised by how much I love the woodcut of Toward the Forest I (1897) featured in this article. It doesn't look like one of the romantic variants to me.
5. I really appreciate that BPAL has finally gone the neural network route in designing new perfumes, but the illustration for Scent Boom made me laugh out loud.
I am off to a doctor's appointment.
1. David Walsh situates the man in the White House in a context of classic American anti-Semitism à la Henry Ford. David Schraub observes that once again right-wing anti-Semitism is greeted by non-Jews with a shrug, not a media blitz, and would like that to change. I have nothing personally eloquent to say on the subject at this time; it stresses and scares me. It's not new behavior on anyone's part. That does not lessen its damage. Kind of the other way round, really.
2. Both of these poems stick with me: Vincent Toro's "All the Mexicos" and Susan Rich's "The Photograph Suggests a Hidden Life." The sidebar of the latter suggested Lory Bedikian's "The Mechanic," which I am also still thinking about.
2. Courtesy of
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4. I would like to see this exhibit of Edvard Munch, except as usual I don't have a teleporter. I was surprised by how much I love the woodcut of Toward the Forest I (1897) featured in this article. It doesn't look like one of the romantic variants to me.
5. I really appreciate that BPAL has finally gone the neural network route in designing new perfumes, but the illustration for Scent Boom made me laugh out loud.
I am off to a doctor's appointment.