And it came to pass that being unable to attend the Catgirl Goth Rave, to which I had non-hyperbolically been looking forward for months, I resigned myself to doing not much of anything with my Friday night beyond experimenting with molasses cookies and reading the second volume of Michael Powell's autobiography, both of which are fine things in their own right, but rather lacking in glowsticks and cat ears. And then I saw that TCM was showing something called A Letter for Evie (1946) with Marsha Hunt and Hume Cronyn, the former a stranger to me, the latter—I tracked down Lifeboat (1944) and The Seventh Cross (1944) and The Postman Always Rings Twice (1946) in the days long before Netflix just so I could see him in another role besides Professor Elwell, all right? I imprinted on him and Walter Slezak at an early age. And it was a variation on Cyrano de Bergerac, taking place between a shirt-factory secretary, a shy dendrologist, and the platoon lothario during World War II, with recurring motif by Jerome Kern. Jules Dassin did tempt me and I did watch. And considering the mood I was in at midnight, it was kind of exactly what I needed. Thanks, TV. Who knew?
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- 1: Out in space, coast to coast
- 2: The moon still rises on everybody else
- 3: To the green field by the sea
- 4: Eating cereal, remembering the sky
- 5: We'll tell you of a blossom and of buds on every tree
- 6: Like a sprig of yarrow caught in the dark
- 7: Am I lost inside my mind?
- 8: And the biggest old rascal come tumbling down first
- 9: You showed me how to not throw my troubles away
- 10: And the fisherman collects, yes, they collect the sounds from their nest above
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