I am delighted to announce that my story "Twice Every Day Returning" has been accepted for reprint by Afterlives 2024: The Year's Best Death Fiction, edited by Sheree Renée Thomas and forthcoming from Psychopomp in October. It was published originally in Uncanny Magazine #61, in winter to match its ice-memories as opposed to the heat wave it was written in; it is queer, maritime, diasporic, the latest pendant of an unplanned sea-cycle, and it's lovely to see it described as "Lyrical Magical Realism." The table of contents is exactly the kinds of liminal fiction I would plunge myself into even if I did not have the honor of being included among them. We're still finishing out the ghost-month of summer, but I have further reason now to look forward to the ghost-month of fall.
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- 1: I specialize in opera myself
- 2: Can't I take my own binoculars out?
- 3: And those who can remember when the night sky was a tapestry
- 4: Plates will shift and the earth will groan
- 5: Look into that smoldering building's bombed-out fog until it finally lifts
- 6: Probably not going to leave the slightest trace in the wake when it's my turn
- 7: Distant as a dream of the cradle on this lonesome beach
- 8: It's only eight, right?
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