I couldn't have gone to see it and there's no suggestion its premiere was available to watch streaming, but I can't believe I didn't hear until now about Evan Rapport and Daniel London's A Dying Person (A Goyses) (2023) because it is a chamber opera based on the Jewish Ethnographic Program conducted by An-sky in the Pale of Settlement between 1912–14. Thanks to the zeitgeist, I wondered what London had been doing with himself lately, because while I never watched Manhattan (2014–16), I did feel that as Oppenheimer he had a good face for it. Apparently the answer is writing a libretto for a language tsvishn tsvey veltn. It had better get a wider reception, or at least a recording. I keep wondering if An-sky who asked so many questions about Jewish magic knew when he was writing The Dybbuk that he was making a spell.
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- 1: Well, you can't tell much from faces
- 2: When I invited Frank and you back to mine for a mange tout when I meant ménage à trois
- 3: This po-mo stuff is nice, but it's irrelevant to the way I feel right now
- 4: Be my hand on the oar to row to eternity
- 5: Now I'm walking round the city just waiting to come to
- 6: You know this city like the back of your hand, but deep roots are holding me down
- 7: Here we are in the summer rain again
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- Style: Classic for Refried Tablet by and
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