2017-07-26

sovay: (Sovay: David Owen)
So, yes, we got home tonight and saw that John McCain waited to take life-saving advantage of the ACA before he voted, along with fifty other Republican senators whose careers I hope will be even shorter-lived than it seems they want their constituents to be, to proceed with killing it and quite a lot of other people. These are highlights of the day I had before that.

1. [personal profile] spatch met me after my doctor's appointment this afternoon; we walked up the Esplanade to Back Bay (willows, cormorants, a blue reflected hollow in the overcast rippling in the river's wind-waves; I climbed a tree and developed a hole in my sock) and had dinner at the Cornish Pasty Co., where the chicken tikka masala pasty was approximately half the size of a human head and the toffee pudding with crème anglais arrived in a crucible. These are both endorsements. We had not planned on a book-gathering trip, but first there were the book sale carts at the West End Branch of the BPL and then there was Rodney's. I now appear to own Jack Weatherford's The Secret History of the Mongol Queens: How the Daughters of Genghis Khan Rescued His Empire (2010), Jean Potts' Home Is the Prisoner (1960), Derek Jarman: A Portrait (1996) edited by Roger Wollen, and Cicely Mary Barker's The Lord of the Rushie River (1938), which I freely admit I bought because "Traveller's Joy" appears in the text as a folk song. The clouds had broken up by the time we were walking back over the Harvard Bridge and the Charles was full of white and pink sails, including a small flotilla circling one another and then crocodiling back to the MIT boathouse. Rob took a couple of pictures of me on the Esplanade. I am not all right with photographs of myself right now, so I am trying to make a point of them.

And the gunner we had was apparently mad. )

2. [personal profile] yhlee and [personal profile] telophase have developed a hexarchate Tarot. Specifically, a jeng-zai deck of the era of Machineries of Empire. You can ask it things. There are no illustrations as yet, but I ran two spreads from different factions and even allowing for the pattern-making capacity of the human brain it gave me scarily decent readings both times. Fair warning: it comes from a dystopia. I'm not sure it knows how to advise on light matters.

3. Courtesy of Michael Matheson: from the archives of Robot Hugs, Gender Rolls. I'm not sure why we don't seem to own any dice, but fortunately the internet provides. I got non-binary femme-type dandy. I . . . can really live with that, actually.

We bought food for the cats. We bought ice cream for ourselves. I guess tomorrow I make a lot more calls.
sovay: (Sovay: David Owen)
In today's political news, I would like to introduce the man in the White House to the Greek hero Kaineus (m.), born Kainis (f.), whom it took the entire Centaur side of the Centauromachy to defeat, his invulnerable body hammered all the way down to Hades with stones and piled pine trees. We can argue about what the United States should be doing with its armed forces, but not about who counts sufficiently as people to continue serving safely in them.

1. On the very crowded Red Line around five-thirty this afternoon, I saw two girls—late high school, early college, one white-looking and one not—practicing what they called "subway surfing," keeping their balance without recourse to poles or hangers or fellow passengers as the train rocked and bucked between Harvard and Davis. I appreciated what they were doing; the car was so sardine-packed that I couldn't get near a handhold myself, plus I was carrying a couple of books from the dollar-sticker carts outside the Harvard Book Store (I sense a theme) and a halva brownie from Tatte's that was trying to melt through its paper bag. It was a miserable commute experience and they were making the best they could of it. I did not appreciate the male commuter about my age who turned around as he got off the train at Porter to yell at the girls for "screaming in [his] ears." They stopped subway surfing after he left. They separated and found different poles to hang on to and did not try to talk to one another across the thinning space of commuters between them. The thing is, the guy had not even been their neighbor. He'd been standing right in front of me the entire time, holding on to the pole I couldn't find room on. He could legitimately have yelled at me for breathing into the nape of his neck, but even had the girls been shouting at the tops of their lungs, thanks to our respective positions their conversation would still have had to travel through me before getting anywhere near his ears. So when the train ground to a halt between stations—because there was another train on the line, because the T never has enough money, because Charlie Baker would rather privatize public transit than allocate it any reasonable amount of public funds and incidentally fuck the unions—and there was a brief lull in the racketing noise, I attracted the attention of the nearer girl and told her that she and her friend were great subway surfers, that I'd seen and appreciated them, and that the guy had been completely out of line. I hope it didn't weird her out. I wanted to give them a reality check. The guy annoyed me. Congratulations, you don't like being on a sardine car at rush hour—neither does anyone else, but at least those girls were getting something fun out of it. They weren't losing their footing and banging into people. They were laughing. Don't yell at people when they're trying to make the world better. I feel this lesson can and should be generalized.

2. I did not expect to find myself explaining the technicalities of 70 mm to a completely different set of kids at the door of the Somerville Theatre, but they all bought tickets for Dunkirk (2017) and showed interest in the upcoming 70 mm festival—they wanted to know not just about the format itself and whether it would look different from a DCP of the same movie (spoiler: yes) but the system on which the film would be shown, which I could at least explain was not a Hateful Eight retrofit but a pair of Philips Norelco DP70s designed for just this format, installed in this theater well before Tarantino started shooting in Ultra Panavision, lovingly maintained, and capable of magnetic rather than digital sound. Then I got asked how it was possible to show 70 and 35 mm on the same machines and at that point my knowledge of down- and upconverting degenerated into "I'm not the projectionist! I don't even work here!" (After the conversation was over, I promptly went upstairs and bugged David the projectionist about the specifics just in case this ever happens to me again. I hate being asked technical questions for which I have only partial answers; it makes me feel worse than having no answers at all.) Mostly they seemed concerned that they wouldn't be able to appreciate the beautiful information density of the format if it was filtered through a system that wasn't built to handle it, the same way the high fidelity of a recording is immaterial if all you can play it back through is some crackly laptop speakers. I could reassure them that was not going to be the experience at the Somerville. I realize that programs for movies are not so much a thing anymore, but I'm thinking for this one maybe it couldn't hurt.

3. I like the photograph of this person who looks like they are wearing a spell of the sea: Taylor Oakes, "Rhue."

4. I am delighted that I have now read multiple poems employing Wittgenstein's concept of language-games, also specifically this ambiguity: Veronica Forrest-Thomson, "Ducks & Rabbits."

5. In unexpected and welcome writing news, Clockwork Phoenix 5 is a finalist for a World Fantasy Award for Best Anthology. I have a story in it, so obviously I hope it wins, but the rest of the list is full of extremely cool people and the extremely cool things they have written and I wish everyone luck!
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