2016-12-31

sovay: (Haruspex: Autumn War)
Me to [livejournal.com profile] derspatchel, far too late last night: "What the hell is wrong with my brain? Why does it wake up at five in the morning to write fic for a series I haven't read for half a year? It's not even porn without plot! There's no porn! It's just people making literary allusions at each other on a boat!"

Then we had to get ready for my family's Hanukkah party, then we had a Hanukkah party, then we had to clean up after the Hanukkah party, and as a result I have just gotten around to finishing the thing now. It's the first prose I've written since September, which is better than no prose for the rest of the year; it's very short fic for Barbara Hambly's Benjamin January mysteries. Spoilers through the early parts of Crimson Angel (2014), massively for Dead and Buried (2010). All errors mine, especially since I own nothing later than Wet Grave (2002). I really wish someone would give Hambly money for a printed collection of the short stories, since I haven't read any of them and I'd like to. Happy New Year's Eve?

ἐπὶ οἴνοπα πόντον )

I have no idea what set this story off. The central comparison had occurred to me as far back as the summer, but I haven't even gotten around to reading this year's Yuletide. The title is Homeric Greek for "upon the wine-dark sea." The Greek quoted in the text is Odyssey 13.291–303. It is one of my favorite pieces of Homeric epic; it is the first part of what the goddess Athene says when she encounters Odysseus on the shore of Ithaka, which he does not yet know is his own country. She takes the form of a shepherd boy to tell him where he is (Ἰθάκης γε καὶ ἐς Τροίην ὄνομ᾽ ἵκει—"the name of Ithaka reaches even to Troy") and in return he tells this new stranger a complete whopper about his identity—one of his Cretan lies, framing himself as a man who fought at Troy and killed someone he shouldn't have on the way home and ever since has had a hell of a time getting home, but is definitely not Odysseus the missing king of Ithaka, just some dude from Crete with a totally different set of problems, totally, thanks ever so. And instead of taking offense at his deception, Athene is flat-out delighted:

He would have to be all chance and guile, whoever would get past you
in any kind of trickery, even if it were a god who came up against you.
You troublemaker, shape-changer, untiring of tricks,
even on your own ground you would never give up
all those ruses and those clever stories that are dear as nature to you.
But come, we will talk no more of these things, both of us experienced
in guile, since you are far and away the best of mortals
at schemes and stories, while I among the gods am famous
for craft and cleverness—and did you not recognize
Pallas Athene, Zeus' daughter, who has always
stood by you in every trouble and come to your defense
and made you dear to all the Phaiakians
and who has come here now to weave craft with you?


The German comes from Franz Schubert's "Der Tod und das Mädchen." Ask about anything else that's unclear, although I hope it isn't. I worry about comprehensibility after dawn. I'll post my usual year-end summary tomorrow.
sovay: (Default)
So the thing that becomes immediately obvious to me when I look at my year-end summary for 2016 is the degree to which the health issues which were identified in February and are only just now beginning to resolve affected almost every aspect of my writing. The second half of the year was scarily thin in new fiction and poetry; it was actually worse than 2006, the year my life up to then fell apart. Nonetheless, the way 2016 turned out, I think I am going to count anything published as an active victory over the forces of violence and entropy.

There was new fiction:

"Skerry-Bride" in Devilfish Review #16, February 2016.
"The Trinitite Golem" in Clockwork Phoenix #5 (ed. Mike and Anita Allen), April 2016.
"The Choices of Foxes" in Not One of Us #55 (ed. John Benson), April 2016.
"All Our Salt-Bottled Hearts" in Dreams from the Witch House: Female Voices of Lovecraftian Horror (ed. Lynne Jamneck), June 2016.
"Imperator Noster" in Genius Loci: Tales of the Spirit of Place (ed. Jaym Gates), July 2016.

There was new poetry:

"The Lost Aphrodite" in The Cascadia Subduction Zone 6.1, January 2016.
"Anybody That Looked Like That" in Go Now (ed. John Benson), January 2016.
"The Parable of the Albatross" in Stone Telling #13: Hope, January 2016.
"For Saint Valentine, on the Occasion of His Martyrdom" in Goblin Fruit #36: Winter 2016, February 2016.
"Men Who Aren't Crazy" in The Cascadia Subduction Zone 6.2, April 2016.
"In a Funny Kind of Way" in Polu Texni 4/25/16, April 2016.
"Sudden Death" in Through the Gate #10, May 2016.
"The Anniversary" in Through the Gate #10, May 2016.
"'Лондонский маленький призрак'" in Through the Gate #10, May 2016.
"Phliasian Investigations" in Spelling the Hours: Poetry Celebrating the Forgotten Others of Science and Technology (ed. Rose Lemberg), August 2016.
"A Gun and a Boy (Le Cercle Rouge)" in inkscrawl #10, August 2016.
"The Ghost Marriage" in Uncanny Magazine #12, September 2016.
"Ghost Ships of the Middlesex Canal" in Not One of Us #56, September 2016.
"At the Meyerhold Theatre" in Through the Gate #19, October 2016.
"A Death of Hippolytos" in The Cascadia Subduction Zone 6.4, October 2016.
"The Other Lives" in The Cascadia Subduction Zone 6.4, October 2016.
"Vocatio" first appeared in Twisted Moon #1, October 2016.
"About Building" in Through the Gate #23, December 2016.

There were even some reprints, of which I am very proud:

"Upon the Land, On the Sea" in Angels of the Meanwhile: Poetry and Prose in Support of Pope Lizbet (ed. Alexandra Erin), April 2016.
"Chez Vous Soon" in Sirenia Digest #124 (ed. Caitlín R. Kiernan), June 2016.
"Exorcisms" in An Alphabet of Embers: An Anthology of Unclassifiables (ed. Rose Lemberg), July 2016.
"The Clock House" in Spelling the Hours: Poetry Celebrating the Forgotten Others of Science and Technology (ed. Rose Lemberg), August 2016.
"And Black Unfathomable Lakes" in The Museum of All Things Awesome and That Go Boom (ed. Joanne Merriam), August 2016.
"When Can a Broken Glass Mend?" in Heiresses of Russ 2016: The Year's Best Lesbian Speculative Fiction (ed. A.M. Dellamonica and Steve Berman), November 2016.

And a small quantity of fanfiction, none of which I was expecting to write:

"Not a Tame Lion" (Chronicles of Narnia, C.S. Lewis), September 2016.
"ἐπὶ οἴνοπα πόντον" (Benjamin January, Barbara Hambly), December 2016.

I had no published interviews this year (I did one by phone, but it won't air until—I can still say this—next year), but Ghost Signs (2015) garnered some very fine reviews:

Rich Horton for Locus, January 2016.
Liz Bourke for Strange Horizons, January 2016.
Lev Mirov for Stone Telling, January 2016.

Honestly, I think my major intellectual achievement this year was the writing I did for my Patreon:

Too Late for Tears (1949), January 2016.
Truly, Madly, Deeply (1990), January 2016.
Despicable Me (2010), January 2016.
Fast Workers (1933), January 2016.
Cain and Mabel (1936), February 2016.
Boston Sci-Fi Marathon 41 [Starman (1984), Himmelskibet (1918), Blade Runner (1982), High Treason (1929), Ex Machina (2015), The Man Who Fell to Earth (1976), Bride of Finklestein (2015), Pitch Black (2000), Big Ass Spider! (2013), Never Let Me Go (2010), Donovan's Brain (1953), They Live (1988), Invasion of the Body Snatchers (1956)], February 2016.
Mr. Skeffington (1944), February 2016.
The Guns of Navarone (1961), Shadows of Forgotten Ancestors (1965), Hail, Caesar! (2016), February 2016.
Crack-Up (1946) and Act of Violence (1948), March 2016.
Moonrise (1948), March 2016.
Belladonna of Sadness (1973) and The Witch: A New-England Folktale (2015), March 2016.
Gay Purr-ee (1962), March 2016.
Phaedra (1962), April 2016.
Johnny Eager (1942), April 2016.
The Blackcoat's Daughter (2015), May 2016.
Seven Sweethearts (1942), May 2016.
Fighting Men: Baptism of Fire (1943), May 2016.
Madame Bovary (1949), May 2016.
World for Ransom (1954), June 2016.
Macao (1952) and Green Dolphin Street (1947), June 2016.
The Prowler (1951), June 2016.
Santa Fe Trail (1940), June 2016.
Criss Cross (1949), July 2016.
thoughts on the femme fatale, July 2016.
thoughts on film noir, July 2016.
A Thousand Clowns (1965), August 2016.
Detour (1945), August 2016.
The Big Combo (1955), August 2016.
HFA Night Train Marathon [L'Arrivée d'un train en gare de La Ciotat (1896), Twentieth Century (1934), Night Mail (1936), Night Train to Munich (1940), The Little Train Robbery (1905), The Narrow Margin (1952), Nayak (1966), The Taking of Pelham One Two Three (1974)], September 2016.
The Killing (1956) and Born to Kill (1947), September 2016.
The Ten Commandments (1956), September 2016.
Demon (2015) and The Strange Love of Martha Ivers (1946), October 2016.
The Manchurian Candidate (1962), October 2016.
Red Hot Tires (1935), October 2016.
My Son, the Hero (1943) and Lady with a Past (1932), October 2016.
Princess Caraboo (1994), November 2016.
The Gang's All Here (1943), December 2016.
Dance, Girl, Dance (1940), December 2016.
Gold Diggers of 1933 (1933) and Dames (1934), December 2016.
Lady Be Good (1941), December 2016.
Possessed (1947), December 2016.
The Spy in Black (1939), December 2016.

And I will do what I can as soon as I can do it to make up for the associated obligations on which I fell behind. I feel in may ways as though I am just getting my brain back for the first time in months if not a year. It's just as well; I think I'm going to need it.

Happy New Year. Let's do what we can to make 2017 something we want to set slightly less on fire and shove off a skyscraper. Tonight [livejournal.com profile] derspatchel and I are going to hear the bells ring.
Page generated 2025-08-03 17:26
Powered by Dreamwidth Studios