Delightful surprise of the week: visiting the brick-and-mortar office of Červená Barva Press in the basement of the Somerville Armory and discovering that not only do they sell their own books, like the chapbook of Aleksei Kruchonykh's libretto for the Futurist opera Victory Over the Sun (1913, trans. Larissa Shmailo 1980/2014) I had originally contacted the publisher about, they are a really lovely tiny used book store. My mother left with Gene Stratton-Porter's The Harvester (1911), Inez Haynes Irwin's Maida's Little School (1926), and Frances Hodgson Burnett's Robin (1922), all first editions—jacketless, but in otherwise quite respectable condition; the first two are books from her childhood and the third neither of us had ever heard of, so fingers crossed it's not terrible. I walked out with Barbara Helfgott Hyett's In Evidence: Poems of the Liberation of Nazi Concentration Camps (1986) and the Signet paperback of Mickey Spillane's Kiss Me, Deadly (1952), which I did not buy solely for its cover, but you must admit it helps. I am enjoying Victory Over the Sun.
skygiants showed me the first three episodes of Underground (2016–) last night and I want a soundtrack album. I have returned unhappily to a state of not so much sleeping, but being awake is always better with good art.
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Active Entries
- 1: There's no boat to take me where all the stars go to cross the water
- 2: Once you know it's a dream, it can't hurt
- 3: All the ghosts, some old, some new
- 4: The wind is blowing the planes around
- 5: Let the lights run like rivers all over my skin
- 6: I am bound to these shores, I'll be bound till the end
- 7: Wish everyone could hear when she sings
- 8: I cannot feel it, the veil of black, a fine spray of white paint
- 9: I make sure there are hidden messages in my work
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- Style: Classic for Refried Tablet by and
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