Delightful surprise of the week: visiting the brick-and-mortar office of Červená Barva Press in the basement of the Somerville Armory and discovering that not only do they sell their own books, like the chapbook of Aleksei Kruchonykh's libretto for the Futurist opera Victory Over the Sun (1913, trans. Larissa Shmailo 1980/2014) I had originally contacted the publisher about, they are a really lovely tiny used book store. My mother left with Gene Stratton-Porter's The Harvester (1911), Inez Haynes Irwin's Maida's Little School (1926), and Frances Hodgson Burnett's Robin (1922), all first editions—jacketless, but in otherwise quite respectable condition; the first two are books from her childhood and the third neither of us had ever heard of, so fingers crossed it's not terrible. I walked out with Barbara Helfgott Hyett's In Evidence: Poems of the Liberation of Nazi Concentration Camps (1986) and the Signet paperback of Mickey Spillane's Kiss Me, Deadly (1952), which I did not buy solely for its cover, but you must admit it helps. I am enjoying Victory Over the Sun.
skygiants showed me the first three episodes of Underground (2016–) last night and I want a soundtrack album. I have returned unhappily to a state of not so much sleeping, but being awake is always better with good art.
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- 1: I made a deal with the devil, but I never got paid
- 2: How do you love? How do you solve the etiquette?
- 3: And I'm sorry that I forgot that binders don't go in the dryer
- 4: Trying my best to arrive
- 5: And where the arrow leads, you never know
- 6: The earth is too smart for us to break through
- 7: Cigarette, Alka-Seltzer, career to the back of the place
- 8: So can we say we'll never say the classic stuff, just show it?
- 9: Did karma do you justice when you're down and out and lost?
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- Style: Classic for Refried Tablet by and
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