Delightful surprise of the week: visiting the brick-and-mortar office of Červená Barva Press in the basement of the Somerville Armory and discovering that not only do they sell their own books, like the chapbook of Aleksei Kruchonykh's libretto for the Futurist opera Victory Over the Sun (1913, trans. Larissa Shmailo 1980/2014) I had originally contacted the publisher about, they are a really lovely tiny used book store. My mother left with Gene Stratton-Porter's The Harvester (1911), Inez Haynes Irwin's Maida's Little School (1926), and Frances Hodgson Burnett's Robin (1922), all first editions—jacketless, but in otherwise quite respectable condition; the first two are books from her childhood and the third neither of us had ever heard of, so fingers crossed it's not terrible. I walked out with Barbara Helfgott Hyett's In Evidence: Poems of the Liberation of Nazi Concentration Camps (1986) and the Signet paperback of Mickey Spillane's Kiss Me, Deadly (1952), which I did not buy solely for its cover, but you must admit it helps. I am enjoying Victory Over the Sun.
skygiants showed me the first three episodes of Underground (2016–) last night and I want a soundtrack album. I have returned unhappily to a state of not so much sleeping, but being awake is always better with good art.
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Active Entries
- 1: That gossip's eye will look too soon
- 2: I left my mind behind in 2015
- 3: Your spirit watched me up the stairs
- 4: Am I just a phantom waiting to be ripped around on shady ground?
- 5: 'Cause your eyes are the green of tornado skies
- 6: Once you've gone, remains the question, baby
- 7: Does it seem slow to rain? Does it feel like soft moss?
- 8: Now let's listen to a conversation between two English actors on the subject of Warships Week
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- Style: Classic for Refried Tablet by and
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