Well what's to be done I'll go away askance into the 16th century through the quotes over here
Delightful surprise of the week: visiting the brick-and-mortar office of Červená Barva Press in the basement of the Somerville Armory and discovering that not only do they sell their own books, like the chapbook of Aleksei Kruchonykh's libretto for the Futurist opera Victory Over the Sun (1913, trans. Larissa Shmailo 1980/2014) I had originally contacted the publisher about, they are a really lovely tiny used book store. My mother left with Gene Stratton-Porter's The Harvester (1911), Inez Haynes Irwin's Maida's Little School (1926), and Frances Hodgson Burnett's Robin (1922), all first editions—jacketless, but in otherwise quite respectable condition; the first two are books from her childhood and the third neither of us had ever heard of, so fingers crossed it's not terrible. I walked out with Barbara Helfgott Hyett's In Evidence: Poems of the Liberation of Nazi Concentration Camps (1986) and the Signet paperback of Mickey Spillane's Kiss Me, Deadly (1952), which I did not buy solely for its cover, but you must admit it helps. I am enjoying Victory Over the Sun.
skygiants showed me the first three episodes of Underground (2016–) last night and I want a soundtrack album. I have returned unhappily to a state of not so much sleeping, but being awake is always better with good art.

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They are one room filled with shelves. The majority is poetry, but the wall of mid-century paperbacks and the bookcase of early twentieth-century hardcovers also attracted my attention. It's great.
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But if you want the other, it's The Head of the House of Coombe, and last time I checked it was available at the Gutenberg Project.
Those two are among my favorites of her work; she wrote quite a few books that no one has heard of any more. Among other things, they're a fascinating look at England just prior to, and during, the Great War. Be warned, they're very anti-German.
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Oh, cool! I didn't even know she wrote novels for adults. (I didn't know Gene Stratton-Porter was female, either. I did know that Inez Haynes Irwin wrote a major feminist genre novel—Angel Island (1914)—but I knew that because of Ursula K. Le Guin.) I will see if I can borrow it from my mother when she's done.
Those two are among my favorites of her work; she wrote quite a few books that no one has heard of any more. Among other things, they're a fascinating look at England just prior to, and during, the Great War. Be warned, they're very anti-German.
So noted. I am still always interested by war literature of the time.
Thank you!
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Maida's Little School and some of the other Maida books definitely featured in our childhood library as well. We also had one of her adult novels, The Happy Years, I think.
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There were several in my grandparents' house when I was growing up, but the only one I really remember is Maida's Little Theater (1946), because they staged a production of The Tempest. I read it years before I ever saw the play; now I want to see what I think of their interpretation.
We also had one of her adult novels, The Happy Years, I think.
How was it? I've never read any of her adult novels, even Angel Island. (I'll change that whenever I find a copy in print.)
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It's the sort of book I remember a lot of little snippets from (e.g., something about a black and silver outfit, with silver slippers -- "I'm so glad you didn't get black" -- having cut steel buckles -- "I'm crazy about cut steel"), but not that much about what actually happens.
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That sounds peculiar enought I might have to check it out. Thank you!
It's the sort of book I remember a lot of little snippets from (e.g., something about a black and silver outfit, with silver slippers -- "I'm so glad you didn't get black" -- having cut steel buckles -- "I'm crazy about cut steel"), but not that much about what actually happens.
That's fair. I believe I have books like that.
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My mother's been looking for that one for years. (It came up in conversation as soon as I spotted The Harvester, which was the only Stratton-Porter on view.) I don't think I've read it, but I don't feel I can totally rule it out, either.
(No, seriously. The hero goes after tomatoes the way a zombie goes after brains. I suppose it is the vitamin C.)
Homegrown tomatoes that actually taste like something are really good!
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And yeah, I love tomatoes, but it really is special how he goes after them. GSP has a lot of almost comically sensuous passages.
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Finished Head and I can't decide whether Robin is a manic pixie dream girl whose purity is going to save someone, or if worse is in store for her. The books are so very sentimental that the character is difficult to take at face value.
This kind of older-man-protects-younger-girl can go so very off the rails for modern readers (e.g. Daddy Long-Legs) but Burnett seems to be keeping it under control so far. (Indeed this trope seems to be one of her Things.) Nonetheless, this pair of books clearly wants to be adapted into a manga or anime series.
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I'll be borrowing that from my mother, then.
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ETA: where's the subject line from? Veirs or "Victory Over The Sun"?
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Kazimir Malevich did the original set design for Victory Over the Sun.
where's the subject line from? Veirs or "Victory Over The Sun"?
Victory Over the Sun. It's an exit line from the character of Nero and Caligula in the Same Person.
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As far as I know, there is not an official one, but I made one on 8tracks (http://8tracks.com/brigdh/underground-soundtrack) (assuming that's a site that works for you). I love the music the producers chose!
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Thank you so much! I don't know if 8tracks works for me, but I'll find out. Is the mix downloadable?
(Seriously, if WGN released an official soundtrack, I cannot imagine but that it would fly off the shelves.)
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That would be wonderful. Thank you!