So the problem with me and lists is that I want to make them comprehensive. Therefore this is not a catalogue of all the fiction with classical settings that exists, or even all the fiction with classical settings I've read or own. It is an attempt at listing some of my favorites of the genre without falling down the sinkhole of completism. If you don't see your favorites, please feel free to name them in comments. It may be that I've accidentally left them out. It may be that my local library does not contain enough Naomi Mitchison. It may also be the case that I'm not sure I need to re-read all of The Bull from the Sea ever again. This endeavor brought on by recent discussion of Dorothy J. Heydt's Cynthia stories.
Genres considered for inclusion are historical fiction and historical fantasy, with a flexible exception for contemporary narratives in which the classical past plays a prominent part. I have tried to stay away from mythological retellings because otherwise we'll be here all day. Honorable mention at the end goes to alternate histories or secondary worlds drawn so strongly from classical history that they feel like it.
( Good cheap wine, great shellfish, sulphur fumes, thousands of people running around making money. Interminable noise, and no Sirens. )
The other problem with putting together this list is that it made me realize I want to edit an anthology of short fiction set in the classical world—I know the reprints I would want to ask for; I would want to hold a reading period for new material—and even if I knew a publisher to pitch it to, this is not a project for which I have time right now.
And I still don't really have any stories where the Carthaginians come off positively. Cato the Censor and the Aeneid cast a long shadow. Does anyone know any?
Genres considered for inclusion are historical fiction and historical fantasy, with a flexible exception for contemporary narratives in which the classical past plays a prominent part. I have tried to stay away from mythological retellings because otherwise we'll be here all day. Honorable mention at the end goes to alternate histories or secondary worlds drawn so strongly from classical history that they feel like it.
( Good cheap wine, great shellfish, sulphur fumes, thousands of people running around making money. Interminable noise, and no Sirens. )
The other problem with putting together this list is that it made me realize I want to edit an anthology of short fiction set in the classical world—I know the reprints I would want to ask for; I would want to hold a reading period for new material—and even if I knew a publisher to pitch it to, this is not a project for which I have time right now.
And I still don't really have any stories where the Carthaginians come off positively. Cato the Censor and the Aeneid cast a long shadow. Does anyone know any?