sovay: (Rotwang)
sovay ([personal profile] sovay) wrote2017-05-13 11:36 pm

For one second all I know, everything is made of snow

I was just informed that there will be a television adaptation of Ursula K. Le Guin's The Left Hand of Darkness (1969).

If the Gethenian characters are not cast with genderqueer actors, I will feel someone is missing the point.
thawrecka: (Default)

[personal profile] thawrecka 2017-05-14 04:20 am (UTC)(link)
That's one of those stories where I don't even see how they could do a good TV adaptation, because so much of what I like about it is internal, and most of the rest is stuff that Hollywood tends to blunder up.
conuly: (Default)

[personal profile] conuly 2017-05-14 07:12 am (UTC)(link)
I'm not getting my hopes up. Remember what happened when they "adapted" Earthsea? Geez.
kore: (Default)

[personal profile] kore 2017-05-14 09:25 am (UTC)(link)
According to Variety, Critical Content hopes that the strong response to Hulu’s adaptation of Margaret Atwood’s The Handmaid’s Tale will create an appetite for Le Guin’s discussions about sexuality and power.

//drags hands down face
desireearmfeldt: (Default)

[personal profile] desireearmfeldt 2017-05-14 01:37 pm (UTC)(link)
In the department of chicken-and-egg, one thing I sometimes wonder is: how do genderqueer actors make it far enough in TV in the first place to be there to be cast when a show is actually looking for them? (My limited understanding of how TV acting works being that the casting and even the pre-casting is very very type-based.)
ashlyme: Picture of me wearing a carnival fox mask (Default)

[personal profile] ashlyme 2017-05-14 03:04 pm (UTC)(link)
I'm somewhere between "hell yeah" and "fingers crossed". I'd like David Harewood or Colin Salmon for Genly Ai, though.
redbird: full bookshelves and table in a library (books)

[personal profile] redbird 2017-05-14 03:15 pm (UTC)(link)
Yes: the journey over the ice could work well on camera, but so much of what's going on in that chapter is conversation and introspection.

And there's a moment during the time Genly spends with the Foretellers that could work beautifully, but what is television going to do with "the perfect uselessness of knowing the answer to the wrong question"?
chomiji: Hakkai from Saiyuki, in a hooded parka. Animated snowflakes fall; caption is A hazy shade of winter (Hakkai - snow)

[personal profile] chomiji 2017-05-14 05:04 pm (UTC)(link)

I am so fucking nervous about even the IDEA of television doing anything with this important (both in terms of SF literature and in terms of emotional significance to me) property that the only way I am going to be able to deal with it is to pretend I never heard this news.

conuly: (Default)

[personal profile] conuly 2017-05-14 07:19 pm (UTC)(link)
Lots of things would be nice, but that doesn't, alas, make them likely.
kore: (Default)

[personal profile] kore 2017-05-14 07:29 pm (UTC)(link)
It's just like one of those whack-ass Amazon recommendations I keep getting. "If you liked Jessica Jones, try Story of O!" (example)
kore: (Default)

[personal profile] kore 2017-05-14 07:50 pm (UTC)(link)
WELL REALLY. "People are watching a story about a sexual/gender dystopia in horror, maybe we can sucker them into seeing a film about an androgynous society which was invented when the author tried to think of a world without war!" Altho it might work as a mirror reflection, I guess, Gethen's society is without war (except they're coming up on it toot sweet), and in Gilead society has been turned into war, the "battle of the sexes" is daily life. But jeez.

Altho, the BBC did do a full cast adaptation of Darkness a while back. http://www.bbc.co.uk/programmes/b05pkpgg Just look at the cast:


Role Contributor
Genly Ai Kobna Holdbrook-Smith
Estraven Lesley Sharp
Argaven Toby Jones
Tibe Louise Brealey
Faxe Noma Dumezweni
Ashe Ruth Gemmell
Ong Tot Adjoa Andoh
Shusgis Stephen Critchlow
Obsle David Acton

Trailer: https://www.youtube.com/watch?v=N0GyAnZjHFw
kore: (Default)

[personal profile] kore 2017-05-14 08:36 pm (UTC)(link)
SERIOUSLY HOW DID I MISS THAT
kore: (Default)

[personal profile] kore 2017-05-14 08:45 pm (UTC)(link)
-- andyeah, I think you're quite right about the voices -- they cast those well, and Lesley Sharp is great as Estraven. Disembodied voices aren't gender-free, obviously, but they can blur the lines that society otherwise likes to draw broad and dark, which I think happens in Left Hand a lot as Genly is forced to reconsider all his previous pre-conceptions -- prejudices -- like Estraven drawing up accounts in a manner that could be "either scientific or housewifely," I loved that. What is virtue in a scientist could also be virtue in a housewife? Or is something that's a housewifely skill not impressive, by default? And the deliberate genderfuckery, like her writing 'the King was pregnant,' and Genly's landlady being a man. It's amazing she wrote as genderqueer as she did, writing as a cishet woman at the dawn of the seventies, through a male gaze and with male pronouns. Genly's always frantically looking for the binary in Estraven, the EITHER/OR, male or female, friend or sexual partner, confidant or schemer, rescuer or traitor. But he's always both, which is of course Genly's big moment of enlightenment, so simple a realization and so terribly hard for him to realize.

(I have a love-hate relationship with Genly. He's a very charming narrator but he's also sexist and Lord is he sheltered. I remember the first time I read the book I was groaning at his naievete right along with Estraven. Which is unfair, he's supposed to be the untouched First Envoy above politics and the human connection and all that, but he misses SO MANY cues. But I guess that's the point.)

This was also really interesting https://www.youtube.com/watch?v=AsBgiOqg4Zg

it's the scene where Estraven thaws Genly's eye, which in the book takes about half a paragraph and maybe two sentences, but this really makes you feel the physicality of it.
kore: (Default)

[personal profile] kore 2017-05-14 08:53 pm (UTC)(link)
I think one thing that's come up is trans actors making their own projects, or being in limited distribution ones, and getting the notice of directors that way: https://www.usatoday.com/story/life/entertainthis/2017/05/03/five-movies-and-tv-shows-to-watch-starring-transgender-actors-in-trans-stories/101192498/ Tangerine was a big success story. But of course that depends on a cast director being able to find and appreciate talent without prejudice. -- I was always hoping that at first the indie film 'revolution' (heh, which turned out to be about as 'indie' as the grunge revolution) or the rise of digital filmmaking might finally wrench power away from Hollywood, so people could set up smaller studios or even temporary filmmaking setups in places that wouldn't be so locked into the male gaze and patriarchal beauty &c &c. But that doesn't seem to be happening much, as far as I can tell.
kore: (Default)

[personal profile] kore 2017-05-14 11:47 pm (UTC)(link)
Sense8 is really good, and on a terribly shallow note, Freema Agyeman and Jamie Clayton are both super hot and super hot together. I would watch a whole show of them doing dishes or something.
kore: (Default)

[personal profile] kore 2017-05-14 11:53 pm (UTC)(link)
Well, it tells you how minutely Genly genders even ostensibly neutral activities like arithmetic.

//scowls more at Genly Remember when he tells Estraven "Women tend to eat less"? YEAH, AROUND MEN, YOU SCHMUCK ....ahem.

I had a reaction to Genly that I realized years later was akin to my reaction to Gentlemen's Agreement (1947)—while I like and sympathize with him as a narrator, there were ways in which his familiar lens felt stranger to me than the alien world I was supposed to see through him—only Le Guin knew exactly what she was doing with that kind of double vision and I'm really not sure Kazan's movie did.

Oh, that's very good! I like that a lot. Le Guin said in her written and rewritten annotated essay on writing Left Hand that she thought men kind of approved of the book more than women -- that it gave them this journey into androgyny and back out again. But the female readers wanted more, they pushed harder. But she does play with it -- Genly's a privileged man, from a sweeping interstellar alliance, but he's also very solitary and disbelieved, and he's not white, altho I think race doesn't really come up on Gethen. Estraven thinks at one point he blends in too well, that's why they don't believe him, IIRC.

when I read the book as a teenager I was so upset I wrote fix-it fic in my head where Estraven barely survived but he did and Genly nursed him back to health &c &c. fannish before I knew what fandom was
kore: (Default)

[personal profile] kore 2017-05-15 12:06 am (UTC)(link)
Not to mention in the metaframing or however it would be put -- here was a woman, writing in a male-dominated field, writing a central male character in first person and giving us what she thought of as a male perspective on androgynous aliens. Altho I think at that period in her career Le Guin was still resisting what she thought of as 'radical' feminism and going for humanism, altho that changed quite quickly in the seventies, and I think really was evident in her writing through the eighties (Eye of the Heron, Always Coming Home, Beginning Place, Tehanu).