The girl burst out laughing; she knew she was nobody's meat
I was going to write several things about Moonstruck (1987), which Viking Zen screened for me earlier this evening, and then while showering I realized that the film is an utterly valid retelling of Little Red Riding Hood—à la Angela Carter, not Charles Perrault. I seen a wolf in every person I ever met and I see a wolf in you. You tell me a story and you think you know what it means, but I see the true story and you can't. You run to the wolf in me, that don't make you no lamb. And her wine-red dress, and the full moon. I love stories where the folktales are there like bones. More ensemble romantic comedies should have barely metaphorical lycanthropy.

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Heh. Thank you!
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It's three different characters' lines, but they all point up the wolf-imagery—I noticed them going by, but I didn't realize how much of a pattern they made until after the film was over. Which kind of makes me want to see it all over again; fortunately, Eric hasn't seen Moonstruck, either.
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Let me know what you think!
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Never. It was completely off my radar. Now I must show it to Eric.
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Word.
Literal lycanthropy in ensemble romantic comedies would also be pretty nice.
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It would have to be intelligently done, and it's difficult enough to find romantic comedies I'll watch without adding the complications of the fantastic. I don't mean that I wouldn't love to see someone succeed, but I already avoid all the books whose authors have failed, and they are legion.
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True.
and it's difficult enough to find romantic comedies I'll watch without adding the complications of the fantastic.
I suppose that myself I tend to find romantic comedy unpalatable without the fantastic element.
I don't mean that I wouldn't love to see someone succeed, but I already avoid all the books whose authors have failed, and they are legion.
True. Well, there are many authors whose books have failed on all sorts of things.