I expect you think that I should be haunted
Today's sole redeeming feature has been the discovery of the Decemberists' "The Rake's Song," a reasonably hard-rocking murder ballad. The circumstances of its album's conception—inspired by Anne Briggs, going to feature Robyn Hitchcock—also make me happy, but right now not as much as singing headbangingly about infanticide.

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I love that song. =D
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Somehow I'd missed when it was released. If it's representative of the album, The Hazards of Love is going to be genius.
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I'm going to be singing it a lot . . .
(I like your icon.)
It reminds me (maybe oddly?) of "Lady Jane" by the Rolling Stones.
It's got a dulcimer!
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I've spent a lot of the past three days singing Coil's "Ostia (The Death of Pasolini)" around the house and outside, okay? Grinning to a murder ballad is quite safe and sane.
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I didn't realize there was a concert in NYC on Sunday! Unfortunately, it overlaps Boskone. Are you going?
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Heh, I just found what
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I have loved the Decemberists since I discovered them in 2003—"Leslie Anne Levine" was the first song of theirs I ever heard, and it is still one of my favorites. They are imagistic, storytelling, often macabre, and it is a shame that Edward Gorey is not still around to do their cover art. Their albums are Castaways and Cutouts (2002), Her Majesty the Decemberists (2003), Picaresque (2005), The Crane Wife (2006), and upcoming The Hazards of Love (2009). They have also a handful of EPs—Five Songs (2001), The Tain (2004), Picaresqueties (2005), and Always the Bridesmaid (2008), the last of which I do not own except for the song "Valerie Plame."
(And if sendspace continues to freeze your computer, let me know and I'll see if I can send you songs some other way.)
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I'm out right now, so it'll be a while afore I may listen to this, but any song with that genealogy has got to be worth the hearing. ;-)
I hope there's more redeeming features to today.
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It's worth hearing. I'm hoping the rest of the album lives up to its backstory.
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I'll join my hopes to yours, then.