I am returned from the recording session of A Besere Velt with Polina Shepherd and Lorin Sklamberg. We had four songs on which we had been working all for lack of a better word semester: they will be part of an album coming out next year, along with songs from the London Yiddish Choir, the London Russian Choir, the Brighton & Hove Russian Choir, the Brighton & Hove Yiddish Choir Chutzpah, and Lorin and Polina themselves. It was tiring and fun and the last time I was part of a choral recording was twenty years ago; this time was remarkably like, including the part where I ate a sandwich halfway through. I got to tell Lorin afterward that his music had formed an important part of my writing. I got told to audition for a local theater company by someone connected with it, had a nice drive back from Acton with
skygiants and
genarti who described to me a gonzo item of eighteenth-century French science fiction, and came home to discover that
sara had sent me a CD of Brivele's A Little Letter (2018), rounding off the theme of the day. It made up significantly for spending my entire morning at urgent care, trying to get someone to pay attention to my sinuses. You can keep T. Witt making lebkuchen,
selkie.
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Active Entries
- 1: Can you see me? I'm waiting for the right time
- 2: There's nothing here but echoes
- 3: If I'm hoping, then I'm hoping for the frost
- 4: There's no boat to take me where all the stars go to cross the water
- 5: Once you know it's a dream, it can't hurt
- 6: All the ghosts, some old, some new
- 7: The wind is blowing the planes around
- 8: Let the lights run like rivers all over my skin
- 9: I am bound to these shores, I'll be bound till the end
- 10: Wish everyone could hear when she sings
Style Credit
- Style: Classic for Refried Tablet by and
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