I woke up from a dream of writing a chapter which began, "The first movie I ever saw by Derek Jarman was The Ascension." Which isn't true, first because that was Caravaggio (1986) and second because The Ascension doesn't exist, but I had an incredibly clear image of a still from the film: a blue sky running into a blue sea with heavy white clouds on the horizon so that the figure standing at the tide-line appeared to be set in the sky, wearing a bird-beaked mask and a broad hat with long, blue-black plumes and a kind of Renaissance-classical drapery around its hips. I couldn't tell if it was male or female or if it mattered. There were little hints of gilding all around its edges, but they were just from the slant of the sun. It was either an angel or a person who had become one. Because of Jarman, I want to say that the object between its hands was a mirror, but I honestly can't remember either way.
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- 1: I'm the left hand ticking on the timeless clock
- 2: To cormorant to samphire to plover
- 3: You're on, music master
- 4: Hope and anger in the ink and on the streets
- 5: Rewriting old excuses, delete the kisses at the end
- 6: In those days, I still believed in the future
- 7: At last she got acquainted with a rambling mad playactor
- 8: That fine girl of mine's on the Georgia Line
- 9: And even if I can't read it right, everything's a message
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- Style: Classic for Refried Tablet by and
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