It is snowing thickly outside. Somerville has already declared a snow emergency. It remains to be seen how this will interact with the window situation.
I am nonetheless, at the moment, quite happy—among other reasons, because I just saw the results of the 2012 Strange Horizons Readers' Poll. Congratulations to
gwynnega, Sofia Samatar,
selidor, and
rose_lemberg, who is evidently not sweeping the poll only because she didn't publish five poems with us last year. (All of those poems are my choices. I am actually making a difference as an editor. I am really pleased about this.) Also to
alankria for fiction and to
hawkwing_lb and
rushthatspeaks, my wonderful-writing love, for reviewing. This magazine is pretty awesome.
And because tonight I saw This Is Spinal Tap (1984) at the Coolidge Corner Theatre with my mother, who had never seen it before and loved it, because she recognized the entire scene from the years when her brother was the producer for Kansas, especially the tour where Kansas opened for Queen. "The roadies were exactly like that!"
And because this afternoon I walked down to Ball Square and met
derspatchel for lunch at Kelly's. I ordered a Reuben, planning to replace the sauerkraut with coleslaw as usual; the waitress told me they were "out of Reuben" and suggested I try a Monte Cristo. (I didn't think of it at the time, but I bet they were out of corned beef. Happy day after Saint Patrick's Day.) I'd never had a Monte Cristo before. Ham, swiss, turkey, French toast. There was no shortage of each. It is probably a data point that I ate it at two o'clock and with the exception of some coconut lime ice cream from J.P. Lick's around nine-thirty, I haven't really had any food since.
And because I am reading Margaret Talbot's The Entertainer: Movies, Magic and My Father's Twentieth Century (2012), which I pulled off the fifty percent rack at Porter Square Books without having heard of it at all and because of a badly torn page in the index got for a full third of its price. I am a quarter of the way in—teenage carnival barker to hypnotist's assistant—with pre-Code Hollywood still in Lyle Talbot's future and while I recognized his name in the vague way of a person who watches a lot of TCM, Rob placed him from Plan 9 from Outer Space (1959). I am enjoying it enormously so far.
I don't know what will happen with the apartment. We have not yet been able to make an appointment with the building inspector—I am going to call the city again tomorrow—and my room was 54°F when I came home. It's different layers of uncertainty; some of them we can organize and some of them we cannot. But I am still making a life. I insist on that.
I am nonetheless, at the moment, quite happy—among other reasons, because I just saw the results of the 2012 Strange Horizons Readers' Poll. Congratulations to
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
And because tonight I saw This Is Spinal Tap (1984) at the Coolidge Corner Theatre with my mother, who had never seen it before and loved it, because she recognized the entire scene from the years when her brother was the producer for Kansas, especially the tour where Kansas opened for Queen. "The roadies were exactly like that!"
And because this afternoon I walked down to Ball Square and met
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
And because I am reading Margaret Talbot's The Entertainer: Movies, Magic and My Father's Twentieth Century (2012), which I pulled off the fifty percent rack at Porter Square Books without having heard of it at all and because of a badly torn page in the index got for a full third of its price. I am a quarter of the way in—teenage carnival barker to hypnotist's assistant—with pre-Code Hollywood still in Lyle Talbot's future and while I recognized his name in the vague way of a person who watches a lot of TCM, Rob placed him from Plan 9 from Outer Space (1959). I am enjoying it enormously so far.
I don't know what will happen with the apartment. We have not yet been able to make an appointment with the building inspector—I am going to call the city again tomorrow—and my room was 54°F when I came home. It's different layers of uncertainty; some of them we can organize and some of them we cannot. But I am still making a life. I insist on that.