My friends-of list has uncharacteristically been in flux for the past several days. I can't tell if this means I'm popular or walking alienation. I suppose I should hope for the latter: I received my contributor's copies of Not One of Us #35 ("Chez Vous Soon," "Bendigeid Vran") yesterday, and I don't want to lose my membership in the out-crowd. But you know how it is . . .
I am particularly fond of this issue, and not just because it's threshold-themed.* Overall, the stories are dark, liminal and spooky: more autumnal than springlike. Jennifer Crow's "A House-Ghost," Jacqueline West's "Scarecrow," and Rich Ristow's "False Prophet" are particularly eerie and evocative poems (You frighten the murders, / boneless limbs crackling. / Each small death balks / at your gap-mouthed yell), and Patricia Russo's incredible "The Cats" and Brent Knowles' gothic science-fiction "The End of the Road" are stories that make me want to read more from both authors as soon as possible.
I'll post the link to Project Pulp (where Singing Innocence and Experience is currently the #1 overlooked title) as soon as there is one. Until then, I don't suppose you'd like to purchase a copy of Change? Right in time for the equinox, too. More or less.
*Each issue of Not One of Us has a theme. In past years, these have ranged from strange guests to the numinous, from ghosts to heads, from sports of nature to sharp edges, and I'm constantly amazed at the ways in which
lesser_celery finds the links between pieces seemingly unrelated to one another, so that you read them and afterward think, "Of course. Why didn't I see that before?" I think it's just part of his amazing editor nature.
I am particularly fond of this issue, and not just because it's threshold-themed.* Overall, the stories are dark, liminal and spooky: more autumnal than springlike. Jennifer Crow's "A House-Ghost," Jacqueline West's "Scarecrow," and Rich Ristow's "False Prophet" are particularly eerie and evocative poems (You frighten the murders, / boneless limbs crackling. / Each small death balks / at your gap-mouthed yell), and Patricia Russo's incredible "The Cats" and Brent Knowles' gothic science-fiction "The End of the Road" are stories that make me want to read more from both authors as soon as possible.
I'll post the link to Project Pulp (where Singing Innocence and Experience is currently the #1 overlooked title) as soon as there is one. Until then, I don't suppose you'd like to purchase a copy of Change? Right in time for the equinox, too. More or less.
*Each issue of Not One of Us has a theme. In past years, these have ranged from strange guests to the numinous, from ghosts to heads, from sports of nature to sharp edges, and I'm constantly amazed at the ways in which
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