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I still feel the heat, but you've not come back yet from Watling Street
It took all week, but I finally slept. The afternoon is full of brilliant sunshine which I am about to head out into. I am observing the boycott because I see no reason not to.
I had not re-read Tanith Lee's A Heroine of the World (1989) in at least a decade. All of the air still goes out of the tires of the second half for no obviously necessary reason, but I still enjoy the intricate jewelry of the first half and this time around discovered after a few chapters that Martin Jarvis had unexpectedly cast himself as the romantic antihero, the blond-maned, bitterly charming and compromised Thenser Zavion. I have no evidence that Lee had him in mind for the part. She was relatively open about her appropriation of actors for her characters, most famously Paul Darrow in Kill the Dead (1980), although she warned in the introduction to the 2013 reprint of that novel that "I think actually only Vivien Leigh, Elizabeth Taylor, and Jacqueline Pearce remained exactly physically like themselves throughout those several Lee novels they have adorned." But he has canonically a beautiful voice and it took no effort to hear its cast-iron crust after a harrowing duel, coolly deflecting the congratulations due a hero, "I think she thinks, quite rightly, he isn't much of one."
I am charmed that the Trials of Cato's "Bedlam Boys" (2022) establishes its lineage by opening with a distorted, recognizable sample of Steeleye Span.
I had not re-read Tanith Lee's A Heroine of the World (1989) in at least a decade. All of the air still goes out of the tires of the second half for no obviously necessary reason, but I still enjoy the intricate jewelry of the first half and this time around discovered after a few chapters that Martin Jarvis had unexpectedly cast himself as the romantic antihero, the blond-maned, bitterly charming and compromised Thenser Zavion. I have no evidence that Lee had him in mind for the part. She was relatively open about her appropriation of actors for her characters, most famously Paul Darrow in Kill the Dead (1980), although she warned in the introduction to the 2013 reprint of that novel that "I think actually only Vivien Leigh, Elizabeth Taylor, and Jacqueline Pearce remained exactly physically like themselves throughout those several Lee novels they have adorned." But he has canonically a beautiful voice and it took no effort to hear its cast-iron crust after a harrowing duel, coolly deflecting the congratulations due a hero, "I think she thinks, quite rightly, he isn't much of one."
I am charmed that the Trials of Cato's "Bedlam Boys" (2022) establishes its lineage by opening with a distorted, recognizable sample of Steeleye Span.
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It produced a poem, too.
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I was thinking of "Mad Maudlin's Search for Her Tom," which was published in Star*Line in 2002 and I thought had been collected in Postcards from the Province of Hyphens, but actually seems never to have been collected anywhere. "Roadside Ballads" quotes it outright, was published in Vestal Review in 2003 and is reprinted in Singing Innocence and Experience. There isn't a third thing that I can remember.
a copy of The Fire and.... that he's weirdly obsessed with because one of his camp friends took it out of his trunk this past summer and told him it was good, and super gay.
Good for his friend whom I realize you meant he met at camp! I'm glad Eli is enjoying it.
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