WWYDR?
Stolen from conversation with
muchabstracted and
fleurdelis28:
Everybody owns their own Death. Most people just don't know about theirs. Occasionally, during the cleaning-out of a particularly recalcitrant basement or an attic full of outdated receipts and clothing that no longer fits anyone in the house, a Death is discovered sitting among the dust, often on a filing cabinet, reading a paperback novel in a foreign language. (Which foreign language, and why, depends on a system whose particulars no mortal has been able to discern. It is possible that some Deaths simply like nineteenth-century French romances, or postmodern Brazilian mysteries, better than others.) Such encounters are invariably a little awkward, generally polite, and mostly forgotten once the archaic cardboard boxes have been hauled up into the light and their contents set out for recycling, the dust-gummed typewriter either junked or repaired (or, in a few rare cases, turned into modern art), and the neglected doors closed once again. Those who have met their own Deaths prematurely remember the incident only in dreams, in disjointed symbols glimpsed through the random meshes of REM: a page of yellowed paper printed over with a language that cannot be read, a filing cabinet with drawers ajar, slanting light through a dust-glazed window or the smells of gritty cement and spilled detergent. Presumably the Deaths return to their novels, to their patient, pragmatic waiting. Their only worries are whether they will have time to begin the next Mann or Bulgakov or Amado, before they must rise, and put away the novel, and perform their appointed task at last.
So. What Would Your Death Read?
Everybody owns their own Death. Most people just don't know about theirs. Occasionally, during the cleaning-out of a particularly recalcitrant basement or an attic full of outdated receipts and clothing that no longer fits anyone in the house, a Death is discovered sitting among the dust, often on a filing cabinet, reading a paperback novel in a foreign language. (Which foreign language, and why, depends on a system whose particulars no mortal has been able to discern. It is possible that some Deaths simply like nineteenth-century French romances, or postmodern Brazilian mysteries, better than others.) Such encounters are invariably a little awkward, generally polite, and mostly forgotten once the archaic cardboard boxes have been hauled up into the light and their contents set out for recycling, the dust-gummed typewriter either junked or repaired (or, in a few rare cases, turned into modern art), and the neglected doors closed once again. Those who have met their own Deaths prematurely remember the incident only in dreams, in disjointed symbols glimpsed through the random meshes of REM: a page of yellowed paper printed over with a language that cannot be read, a filing cabinet with drawers ajar, slanting light through a dust-glazed window or the smells of gritty cement and spilled detergent. Presumably the Deaths return to their novels, to their patient, pragmatic waiting. Their only worries are whether they will have time to begin the next Mann or Bulgakov or Amado, before they must rise, and put away the novel, and perform their appointed task at last.
So. What Would Your Death Read?

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She probably also reads lots of stuff from the Library of Unfinished Works. Though damned if I remember what book that idea originally appeared in.
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