There's no place like this to call home
And later in the afternoon, I combined the prevailing concerns of the last twenty-four hours and saw Ryan Coogler's Black Panther (2018) at the Capitol Theatre with
gaudior and
rushthatspeaks. I can't write about it right now, but it's a gorgeous film: worldbuilding, performances, music, myth, serious and beautifully realized Afrofuturism. The thing where if you get enough women in the same cast together, they have conversations about honor and technology, not just men. I want my toolkit-loving niece to be old enough to show her this film for Shuri. Casino shootouts and war rhinos. Maybe the next time Nabiyah Be's on film, she'll get to sing. Once upon a time the most familiar way into this story would have been through the eyes of Ross of the CIA, and this is not his movie.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
no subject
YES, THAT. And in the earlier films he would've been sympathetic, and in the later films he would've been a symbol of colonialism, and in this he's just a bit player. Loved it.
no subject
Yes!
[edit] And the bit player status is so important, because what is happening in Wakanda is a civil war: outsiders can't be the deciding factor and Ross is both part of the problem and part of the outside. He contributes. But he doesn't make or break the day.
no subject
no subject
I think it works strictly because he's drone-piloting at Shuri's command; she's running him. Anything else and nope.
no subject
no subject
There is a lot of refracting and patterning in this movie, so much so that it's one of the reasons I want to rewatch it: because they're the only two Americans in the main cast, because they're both shadow-work, CIA, "one of ours," I saw Ross and Erik sometimes mirrored against one another, and I think Ross' role in the civil war is part of that.
no subject