That two girls are too many, three's a crowd, and four you're dead
My sleep schedule has gone so far off the rails, I'm not even sure what time zone I'm in anymore, but I don't think it's the one I live in.
Yesterday I tried to take a sort of mental health break, finishing my work in the afternoon and then spending the rest of the day reading Henry Green's Back (1946) and watching John Cromwell's Caged (1950) and a serial and a half of Sapphire & Steel (1979–82) with an interlude of returning books to the library and making rice pudding. I would like to write about all of these things; they were differently great. I may just stare at more Sapphire & Steel instead.
I have decided that my personal best mode of dealing with white supremacists going around invoking Odin as a hate symbol and generally misunderstanding the Vikings is to go around invoking Loki as a queer symbol and talking a lot more about seiðr.
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moon_custafer: I may be in the wrong country to catch a theatrical screening of Leslie Howard: The Man Who Gave a Damn (2016) tomorrow night (watching movies for people's yahrzeits is just as valid as for their birthdays), but it looks like it will be coming to TCM. Hurrah.
P.S. Has anybody on this friendlist seen the 1977–78 ITV adaptation of Joan Aiken's Midnight Is a Place (1976)? I just discovered it exists; I like its setting of "Denzil's Song" and it's got David Collings, but I can't tell anything else about it except that it seems to have aged up Anna-Marie.
Yesterday I tried to take a sort of mental health break, finishing my work in the afternoon and then spending the rest of the day reading Henry Green's Back (1946) and watching John Cromwell's Caged (1950) and a serial and a half of Sapphire & Steel (1979–82) with an interlude of returning books to the library and making rice pudding. I would like to write about all of these things; they were differently great. I may just stare at more Sapphire & Steel instead.
I have decided that my personal best mode of dealing with white supremacists going around invoking Odin as a hate symbol and generally misunderstanding the Vikings is to go around invoking Loki as a queer symbol and talking a lot more about seiðr.
Courtesy of
moon_custafer: I may be in the wrong country to catch a theatrical screening of Leslie Howard: The Man Who Gave a Damn (2016) tomorrow night (watching movies for people's yahrzeits is just as valid as for their birthdays), but it looks like it will be coming to TCM. Hurrah.P.S. Has anybody on this friendlist seen the 1977–78 ITV adaptation of Joan Aiken's Midnight Is a Place (1976)? I just discovered it exists; I like its setting of "Denzil's Song" and it's got David Collings, but I can't tell anything else about it except that it seems to have aged up Anna-Marie.
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That's wonderful! Can I ask you for the words?
Somehow I can't imagine it being filmed though.
I can see why people would try: it's full of exciting incident, vivid characters, and all the blood-and-thunder plus social commentary a Victorian melodrama affords. I'm just not sure how much of the essential Aiken-ness would come through without her particular style. [edit] Weirdly, I feel it would have made a perfectly fine radio play.
Please do review it if you get around to watching the movie...
I will! Getting hold of it looks like the tricky part.