My heart can't recognize home
Nightmares I had last night included: our apartment being shown to prospective tenants with no warning; not being able to find the Chinese restaurant in Malden where I was supposed to meet a friend; misplacing a rare and treasured book while visiting a used book store; and the white-capped waves of a glacier-blue sea falling away beyond the windows of an old schoolroom, icy water folding over the faces of black-haired mermaids as huge as ice floes, their flukes as coiling and tangled as deepwater kelp, their arms all pressing drowned human bodies like dolls to their breasts.
I understand three of these dreams. I am in the middle of a newly acquired four-novel omnibus of Margaret Millar and both The Stranger in My Grave (1960) and How Like an Angel (1962) are stories that start with a shake-up of identity, a destabilization that has to get worse before it gets better—if it gets better at all.
derspatchel had an ER visit over the weekend and I am feeling panicky about money and loss. I have no obvious etiology for the Inuit-looking Arctic mermaids except maybe Sedna.
Last night Rob and I watched Nicholas Ray's They Live by Night (1949), which I hope to write about. We had just been discussing noirs with non-urban settings (which is how I discovered there is an entire book on the subject and now I covet it desperately, especially since it discusses some films I really like) and here was another one, plus a kind of romance I don't often see in film noir. Nice use of a helicopter, too.
I have a lot of work to finish today.
I understand three of these dreams. I am in the middle of a newly acquired four-novel omnibus of Margaret Millar and both The Stranger in My Grave (1960) and How Like an Angel (1962) are stories that start with a shake-up of identity, a destabilization that has to get worse before it gets better—if it gets better at all.
Last night Rob and I watched Nicholas Ray's They Live by Night (1949), which I hope to write about. We had just been discussing noirs with non-urban settings (which is how I discovered there is an entire book on the subject and now I covet it desperately, especially since it discusses some films I really like) and here was another one, plus a kind of romance I don't often see in film noir. Nice use of a helicopter, too.
I have a lot of work to finish today.

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Thank you!
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That's neat! (Do you recommend the book?)
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Thank you. The ER ruled out the really scary things and he has a doctor's appointment tomorrow.
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Thank you!
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Even your dreams are poetic!
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At least some of them!
(Thank you.)
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It was pretty awe-inspiring.
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Rob's okay, I hope?
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Far be it from me to tell you not to draw them . . .
Rob's okay, I hope?
The ER ruled out all the really scary things (what Rob has been classifying as "heart attack/blown aorta/blown lung/inflammation around the heart/perforated esophagus/angry squirrel running around my insides") and he has a doctor's appointment tomorrow. He is feeling much better. Thank you for asking.
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Sending you both many hugs.
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*hugs*
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It was definitely the most visually memorable of the night's dreams.