Swimmer, swimmer in the sea, bring my body back to me
Three separate people have now sent me links to this photoset, but since it documents the transformation of a black dress, a replica of the costume worn by Hanna Rovina when she played Leye in An-sky's The Dybbuk (1920), suspended for three months in the thick salt waters of the Dead Sea until it emerged stiff and glittering, salt-crusted wedding-white as a spirit gathering flesh to itself, grief transformed into union, I don't think any of them were wrong: Sigalit Landau, "Salt Bride."


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It is one of the nicest things I've seen all month.
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That is yours.
Nine
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It makes me happy, which I need.
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You're welcome. I find the final form of the dress very striking, but the stages in between just beautiful.
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(Gorgeous. I'd seen it a few places too)
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Prrt.
The museum's description—like many of the characters in the play, until it's too late—mistakes the dybbuk of Khonen for an evil spirit, but I really like this line: "Over time, the sea's alchemy transforms the plain garment from a symbol associated with death and madness into the wedding dress it was always intended to be." Also, I was guessing at Hanna Rovina because she was so famously associated with the role, and I feel vindicated on being right. (The world premiere, in Yiddish, was Miriam Orelska.)
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Oh, man, I wish! I wonder if I could. I'd need to sell another collection first. I wonder who wants one.
(Also, wow, you like Felt!)
I got them from