So much noise, but you can hear me and I'll trouble your mind
Because I do not carry a camera with me, I did not take a picture of the cherry-colored wax heart slowly melting on the asphalt of a parking lot as I walked back from Harvard Square and Pemberton's this afternoon. It was really striking, though.
It would probably have been intrusive to take a picture of the three people I met walking up my street as I continued home, but two of them were looking at their phones and one of them was studying a tablet, so maybe they wouldn't have noticed. They were walking in a group, none of them talking to the others. I wondered if they were part of some kind of scavenger hunt, but maybe they were just conversing in print.
My walk home this afternoon was slightly more like a surrealist film than I was expecting, is what I think I'm saying. Or at least a near-future science fiction.
The late show at the Brattle tonight is Sam Raimi's Darkman (1990). On
handful_ofdust's recommendation, I'm going. I really think the only movies I've seen by Raimi are Spider-Man (2002) and Spider-Man 2 (2004). I keep associating him with Bubba Ho-Tep (2002), but that's just because of Bruce Campbell.
It would probably have been intrusive to take a picture of the three people I met walking up my street as I continued home, but two of them were looking at their phones and one of them was studying a tablet, so maybe they wouldn't have noticed. They were walking in a group, none of them talking to the others. I wondered if they were part of some kind of scavenger hunt, but maybe they were just conversing in print.
My walk home this afternoon was slightly more like a surrealist film than I was expecting, is what I think I'm saying. Or at least a near-future science fiction.
The late show at the Brattle tonight is Sam Raimi's Darkman (1990). On

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Sadly, my phone's camera is actually terrible. I don't have a smartphone; I have one of the dumbest phones I could still buy in this day and age. It makes calls, it sends and receives texts, and it takes the blurriest, most pixellated, often falsely colored pictures imaginable. I still take pictures with it anyway, but they're the kind that are useful as records, not as objects of art in their own right.
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