He has such a tired face. Nervous. Interesting.
And tonight, for the end of my birthday week,
derspatchel took me to the Apollinaire Theatre Company's Uncle Vanya, where Ron Lacey was a magnificent Astrov and I remembered again that nothing good ever happens to characters named Sonya in Russian literature, but since I have to finish my Arisia signup tonight, this is not a review. That said: I am for once mentioning a play before the night before it closes, meaning it might be possible for other people to get tickets. If you live in the Boston area, you should!
(Their Vanya is the same actor I saw as Angelo in the Publick Theatre's Measure for Measure in 1999—Diego Arciniegas—and with no disrespect to anyone in the Anarchist Society of Shakespeareans, I still remember him. He's a good Vanya. I just wish I'd been faster covering my ears in Act III. This is still not a review.)
(Their Vanya is the same actor I saw as Angelo in the Publick Theatre's Measure for Measure in 1999—Diego Arciniegas—and with no disrespect to anyone in the Anarchist Society of Shakespeareans, I still remember him. He's a good Vanya. I just wish I'd been faster covering my ears in Act III. This is still not a review.)

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Never! Talk to me about it.
Acting in a foreign language will give one brain cramps.
I didn't realize you acted in your native language, let alone in Russian. The only Chekhov I'd previously seen rather than read was a production of Three Sisters my freshman year at Brandeis, about which I mostly remember that the actor playing Chebutykin was awesome and I have no idea who he was, because the Brandeis Theater Company's "Past Productions" page doesn't go back that far.
(. . . Oh. He's the same actor who wowed me the next year as Bill Walker in Major Barbara: Timothy Carter. And through the magic of the internet, I can now see that he was part of Gotham Radio Theatre's Around the World in Eighty Days in June. WTF radio theater is a thing now? My brain.)
Sorry, I think this conversation has been derailed.
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I gave up acting in a big flouncy snit when I was 24. Goodness, what a drama llama I was in those days. I might actually be better at it now, but there's no way I could keep actors' hours.
Vanya on 42nd St. is - oh, it's Julianne Moore and Wallace Shawn, and a luminous Madhur Jaffrey in the background. They're rehearsing Vanya in a drippy old room, so you get pulled into and pushed out of the text. It's plain and profound, like really good soup.
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Do you do anything like community theater?
It's plain and profound, like really good soup.
I like that simile and it inclines me to watch the movie.
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Nope, I just caper for the general amusement of those around me.