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They also say that I bring back the past
My poems "Settling Accounts" and "Trying for It," otherwise known as the poem I wrote for ![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
asakiyume on the spring full moon of Nisan and the poem I wrote for Thomas Andrews on the centenary of the Titanic, have been accepted by The Revelator, where my Lovecraft poem "Being Providence" has already found a home. I hadn't intended for them to be published as a sort of gerund triptych, but I'm really not going to complain now that it's happening. The editors suggest a new poetic form: the tri-Taaffe. I should let them collage all my work.
Discovered last night: John Coulthart's "S. Latitude 47° 9', W. Longitude 126° 43'." I really want a print. I wonder if I can get it without buying the calendar. Apparently I should read more William Hope Hodgson.
asakiyume on the spring full moon of Nisan and the poem I wrote for Thomas Andrews on the centenary of the Titanic, have been accepted by The Revelator, where my Lovecraft poem "Being Providence" has already found a home. I hadn't intended for them to be published as a sort of gerund triptych, but I'm really not going to complain now that it's happening. The editors suggest a new poetic form: the tri-Taaffe. I should let them collage all my work.Discovered last night: John Coulthart's "S. Latitude 47° 9', W. Longitude 126° 43'." I really want a print. I wonder if I can get it without buying the calendar. Apparently I should read more William Hope Hodgson.
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Have you read Couthart's graphic version of The Call? Awesome. Also, what Hodgson have you read?
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Thank you!
Have you read Couthart's graphic version of The Call? Awesome.
All right; it's on the list! The HPLHS film was my first encounter with any adaptation, actually.
Also, what Hodgson have you read?
The House on the Borderland (thanks to
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Also, as part of the Stone Telling team, I protest this notion of letting another venue do anything at all with all of your poems! :P
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That is very useful to know. And it doesn't look like a bad edition, either. Thank you!
(Wait, how did I miss he was killed at Ypres in World War I? I wonder if I was mentally confusing him with David Lindsay, who died in the next war. This is like finding out this afternoon that Thomas Tryon—whom I associate with B-movies like I Married a Monster from Outer Space (1958)—is in fact best-known as a novelist. Thank you, brain. Someday you will store information helpfully and everyone will be surprised.)
Also, as part of the Stone Telling team, I protest this notion of letting another venue do anything at all with all of your poems!
Heh. I didn't give them exclusive publication, just first refusal rights on mash-ups!
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I'm very mixed about The Night Land. On the one hand it's badly written dreck, but the premise is pretty damn awe-inspiring. Hodgson was pen-friends with Wells and I can't help wondering if the dying Earth scenes in Time Machine influenced W. H.
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It does look like it has tentacles.
I'm very mixed about The Night Land. On the one hand it's badly written dreck, but the premise is pretty damn awe-inspiring.
It's such a weird book. Far-future alien is an almost impossible genre to do well: even Gene Wolfe's Book of the New Sun is a lot less strange conceptually than in its language. I haven't read The Night Land since college, but I remember it being full of really impressive WTF. And, yes. It's writing on geologic time.
Hodgson was pen-friends with Wells and I can't help wondering if the dying Earth scenes in Time Machine influenced W. H.
If so, major points for outweirding his influences.