Your beautiful pen, take the cap off
Peter Greenaway's The Pillow Book (1996) is the natural progression from Prospero's Books (1991), one of the most thoroughly erotic movies I have ever seen, and I would have a lot more to say about it if I hadn't found out, shortly after
rushthatspeaks and I finished watching and
gaudior came home, that their moving company had turned themselves into fail.
At some point in the night, I remember saying to
reversepolarity, "Today has been brought to you by the numbers duct tape, boxes, and the letter what the fuck."
The move will happen and my cousins are amazing, but I stand by the description.
At some point in the night, I remember saying to
The move will happen and my cousins are amazing, but I stand by the description.

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I'll come visit wherever you are; we will find a tape in the last local video store and watch it.
I love it to bits and am super-glad that you got to see it before Rush & Co. left.
I understand why Peter Greenaway hadn't particularly been on my radar—he's barely on DVD and almost never re-released even in arthouse theaters—but I'm still surprised that it took me until the last few months to see Prospero's Books and The Pillow Book; they are so clearly a way of putting the world together I needed.
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Thank you: I am honored by that. I think I would have remembered something of Prospero's Books if I had seen it before, like the first few minutes of A Canterbury Tale that were instantly, unplaceably familiar when I saw them on TCM. What it mostly felt like instead were things I have so often dreamed.
(The late-night PBS WTF would be Fool's Fire (1992), which I meant to borrow on DVD from