This makes the second film from 2009 that I think was critically, criminally overlooked. I understand it was a banner year for movies and I don't grudge The Hurt Locker any of its awards, but seriously: I am supposed to believe Sandra Bullock was better than Abbie Cornish? Stanley Tucci (in The Lovely Bones; I am informed he was quite wonderful in Julie & Julia) than Paul Schneider? Or that the cinematography of Bright Star was nothing to write home about? I had never heard of Ben Whishaw, and now I am looking forward to his Ariel. What wasn't the Academy thinking?
Yeah, me too. Honestly, before watching that, I didn't know much of Yeats, but the movie has sort of infected me and bumped him up on my "To read" list.
but the movie has sort of infected me and bumped him up on my "To read" list.
I remain unconverted to the worship of Keats' poetry beyond "La Belle Dame sans Merci" and "This living hand," but I am now interested in him as a person, which really is an improvement.
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This makes the second film from 2009 that I think was critically, criminally overlooked. I understand it was a banner year for movies and I don't grudge The Hurt Locker any of its awards, but seriously: I am supposed to believe Sandra Bullock was better than Abbie Cornish? Stanley Tucci (in The Lovely Bones; I am informed he was quite wonderful in Julie & Julia) than Paul Schneider? Or that the cinematography of Bright Star was nothing to write home about? I had never heard of Ben Whishaw, and now I am looking forward to his Ariel. What wasn't the Academy thinking?
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I've been thinking about that film on and off since I saw it a few weeks ago. Very rarely do they hang around that long!
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I remain unconverted to the worship of Keats' poetry beyond "La Belle Dame sans Merci" and "This living hand," but I am now interested in him as a person, which really is an improvement.
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Definitely a good sign!