Am I suspended in gaffa?
My flash "The Fool Where Angels Fear" has been accepted by Not One of Us.
Copies of Not One of Us #42, meanwhile, are now available. My poem "Phersu" can be found in its pages, along with work by Patricia Russo, J.C. Runolfson, Eugene Mirabelli, and other artists of this issue's theme, communication—or not. Strange is your language and I have no decoder. I feel like that most days.
I must throw some books into a backpack. I am off to Providence this afternoon. Till then: man, I need more Hans Conried in my life.
Copies of Not One of Us #42, meanwhile, are now available. My poem "Phersu" can be found in its pages, along with work by Patricia Russo, J.C. Runolfson, Eugene Mirabelli, and other artists of this issue's theme, communication—or not. Strange is your language and I have no decoder. I feel like that most days.
I must throw some books into a backpack. I am off to Providence this afternoon. Till then: man, I need more Hans Conried in my life.

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Radio, even. He impressed me incredibly with The 5,000 Fingers of Dr. T.
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That I knew. I was asking about other Dr. Seuss; I may have misread your original statement about narration.
The man had an interesting voice and he knew how to use it.
Yes. One of the qualities that struck me most about his performance as Dr. T was the extraordinary versatility of his voice—I don't mean a knack for accents or mimicry, I mean that I couldn't remember the last time I'd heard someone quick-change so many tones, timbres, inflections in a few phrases; and it was comedy, so he could really pull all the stops out. (A particular flair for the outraged skid into falsetto was on display.) Some of the things he did to unsuspecting sentences have to be believed. I like that.
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http://www.fandango.com/hansconried/filmography/p14584
he did Cat in the Hat, Green Eggs... and looking at his filmography I was stunned to see what else... he did a lot as Narrator.