All the ghosts, some old, some new
History, what do you mean that Folkways Records was founded by the son of Sholem Asch who, as one last trick after the scandals of Jewish lesbians and Christian novels, wrote a version of the Nativity recorded for his son's record label by Pete Seeger? What kind of concatenation is that to drop on an unsuspecting person? And is there a reason no artist is credited with the pen-and-ink illustrations depicting the story in 1963 even as the prose sticks to its historical setting, which are maddening me with their sketch-expressive familiarity, although perhaps only because my grandmother had that kind of loose, scribbly, ink-washed line? Ben Shahn at least had the decency to sign his album art. The Claibornes' "Listen, Mr. Bilbo" could have had the luck to lose its relevance since 1946. History, the other kind of convergence was more fun. Listen while I tell you that the foreigners you hate are the very same people made America great.

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It just didn't quit.
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I think it's incredibly cool that you worked for Rounder. Once it went beyond a summer job, what did you do?
I remember being told in passing that he was a regular church-goer.
America gonif!
(Here's how I heard of what other Asch descendants were up to.)
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I was on my way to bed and my brain just stopped cold.
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I hadn't heard "Listen Mr. Bilbo" before, but very good, Pete Seeger, very good.
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According to his son's liner notes, it was Asch's only published composition in English.
I hadn't heard "Listen Mr. Bilbo" before, but very good, Pete Seeger, very good.
I just want these songs to be historical artifacts, not reverberating with present-day resonance. Would that be too much to ask?
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My immediate thought was Quentin Blake, but having taken a look, it's not quite like him.
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He's only credited with the cover. It could conceivably be him from these other two, but I couldn't find either a signature or a credit within Nativity itself.
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I've already learned that Ben Shahn contributed photographs as well as drawings. I grew up with his poster in my grandparents' house.
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I can see why you thought of him! And he did work with Folkways.
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It also reminded me of Sandra Scoppettone and Louise Fitzhugh's Suzuki Beane (1961).