Open up your mouth, but the melody is broken
Only a day or two late, I saw a classic new moon in the old moon's arms as I walked around the neighborhood just after sunset, the reflection-white crescent and its charcoal-colored cradle like an eclipse in monochrome. The sky was its usual clear apple-blue in the east and then sank. I am not sure I have ever had this much difficulty with the early dark between the clocks falling back and the solstice. I am awake most of the days and there still doesn't seem to be any light in them.
I slept last night. I would like not to have to record it as a milestone. It feels a little unnecessarily on the nose that I was woken out of some complex dream by a phone call from a doctor's office. Most of them lately have some unsurprising insecurity in them: slow-motion cataclysm, as if it makes much difference from being awake. Last night, something about a house with tide-lines on its walls, as if it regularly flooded to the beams.
Describing the 1978 BBC As You Like It to![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
spatch made me realize how few of Shakespeare's comedies I have actually seen when compared with the tragedies, the late romances, the history or the problem plays. A Midsummer Night's Dream and Twelfth Night would be the predictable exceptions in that I am verging on more productions of either than I can count without thinking about it, but I am three Winter's Tales to zero Comedies of Errors. I've seen Timon of Athens and not All's Well That Ends Well. One Richard II and neither of the Two Gentlemen of Verona. It begins to feel accidental that I caught The Merry Wives of Windsor in college.
I really appreciateasakiyume sending me Hen Ogledd's "Scales Will Fall" (2025) and ashlyme alerting me to the trans-Neptunian existence of the sednoid Ammonite.
I slept last night. I would like not to have to record it as a milestone. It feels a little unnecessarily on the nose that I was woken out of some complex dream by a phone call from a doctor's office. Most of them lately have some unsurprising insecurity in them: slow-motion cataclysm, as if it makes much difference from being awake. Last night, something about a house with tide-lines on its walls, as if it regularly flooded to the beams.
Describing the 1978 BBC As You Like It to
spatch made me realize how few of Shakespeare's comedies I have actually seen when compared with the tragedies, the late romances, the history or the problem plays. A Midsummer Night's Dream and Twelfth Night would be the predictable exceptions in that I am verging on more productions of either than I can count without thinking about it, but I am three Winter's Tales to zero Comedies of Errors. I've seen Timon of Athens and not All's Well That Ends Well. One Richard II and neither of the Two Gentlemen of Verona. It begins to feel accidental that I caught The Merry Wives of Windsor in college. I really appreciate
asakiyume sending me Hen Ogledd's "Scales Will Fall" (2025) and ashlyme alerting me to the trans-Neptunian existence of the sednoid Ammonite.
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Thank you!
On balance, I think yes! I liked it.
I liked it a lot and I am glad you sent it to me!
(Plus apparently it was filmed in Berwick upon Tweed, where my cousin and your film interest Alex Knox lived.)
Hah! That's wonderful. I would not have been able to recognize it from its countryside. (Although knowing that location, now I know its stone circle.)
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