Don't leave me in the dark
For International Women's Day, we celebrated my mother's birthday observed. I cooked a lot and ran errands and accompanied my niece on her scooter around the neighborhood. My father found the flame-test candles for her sponge-and-meringue cake and I sourced the white and dark chocolate sheep which formed a little flock atop it.

WERS has been playing all women, all day, which is how I dropped
spatch at work to PJ Harvey's "This Is Love" (2000) and left my parents' house to Throwing Muses' "Summer of Love" (2025). Other songs which particularly struck me include Boygenius' "Not Strong Enough" (2023), Joseph's "Fighter" (2019), and especially King Princess' "1950" (2017) and Japanese Breakfast's "Orlando in Love" (2025). I keep forgetting how invaluable the car radio is to my finding new music. I do not look forward to tonight's spring forward.

WERS has been playing all women, all day, which is how I dropped

no subject
I have songs from all of them! They used to turn up on my now-deceased music blogs. I just missed the release of their supergroup LP on account of 2023 vanishing down a drain of medical-logistical nightmare.
Also Lizzie McAlpine's "Doomsday" as a bookend for "I Know the End."
Her, I hadn't heard. "I feel more free than I have in years, six feet underground."
Those sheep really are just the cutest woolliest delicious two-bite prey. Many happy returns to di shviger!
I have conveyed such to her! The sheep were exceedingly chompable.