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God left last year
Our afternoon and evening have been dominated by the return of the dishwasher flood, prompted apparently this time by attempts to use the washing machine or the kitchen sink. We had already unplugged the dishwasher and shut off its valve under the sink. We have complained to the property manager. We hope for a plumber before the kitchen floor starts to complain to us.
In pale silver linings, two episodes into the second season of Apple TV+'s Foundation (2021–) I am extremely entertained that this show has provided my long-sought third example of an unprepared heir elevated suddenly to power thanks to an airship disaster, following Katherine Addison's The Goblin Emperor (2014) and Emlyn Williams' Headlong (1980). I did not actually expect it to be a genre.
In pale silver linings, two episodes into the second season of Apple TV+'s Foundation (2021–) I am extremely entertained that this show has provided my long-sought third example of an unprepared heir elevated suddenly to power thanks to an airship disaster, following Katherine Addison's The Goblin Emperor (2014) and Emlyn Williams' Headlong (1980). I did not actually expect it to be a genre.
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We were less than thrilled. (The plumber came this morning.)