You're shielded, glassy, unreadable, undetectable
I couldn't have gone to see it and there's no suggestion its premiere was available to watch streaming, but I can't believe I didn't hear until now about Evan Rapport and Daniel London's A Dying Person (A Goyses) (2023) because it is a chamber opera based on the Jewish Ethnographic Program conducted by An-sky in the Pale of Settlement between 1912–14. Thanks to the zeitgeist, I wondered what London had been doing with himself lately, because while I never watched Manhattan (2014–16), I did feel that as Oppenheimer he had a good face for it. Apparently the answer is writing a libretto for a language tsvishn tsvey veltn. It had better get a wider reception, or at least a recording. I keep wondering if An-sky who asked so many questions about Jewish magic knew when he was writing The Dybbuk that he was making a spell.

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I remember when you went to see that! It looked wonderful. I just couldn't remember if I had inevitably suggested following it up with Deutsch's book.
I adore the questions. They, themselves, are like spells.
They are. "What does the malakh doyme do with a deceased person who has forgotten the biblical verse associated with his name?"