Take your head outside
When I can get hold of a print copy, I will shelve this book alongside Craig Williams: Sandra Boehringer's Female Homosexuality in Ancient Greece and Rome (2007/2021). Being out of the loop, I had no idea it existed until this afternoon, but I am glad it does.
I am not here to trash Netflix's Persuasion (2022), especially since I haven't seen it and other outlets have got that covered, but I did have a knee-jerk disagreement with the terms in which one review expressed its approval: "the subversive, fundamental elements that made the original text so beloved, cheeky and subversive far beyond the boundaries of the time in which it was written." I have no argument with the notion of Austen as iconoclast, I too have bounced off sentimental novels, but the thing about the past is that anything from it by definition exists within its boundaries. Persuasion wasn't teleported to the desk of John Murray Jr. from the twenty-first century. It was written, accepted, and published in 1817. When Anne Elliot argues against all the histories that are against women, it is all the more resonant because she is arguing in real time; if she looks like the future, it is because we inherited her. Alternately the reviewer just intended to refer to enduring relevance, but the other thing about the past is that its boundaries are not always where you expect them to be. (I bet Richard E. Grant is magnificent, though.)
Lacking a machine to shave ice with, I tried to replicate the necessary grade of splinter using a blender and have instead ended up with a frozen drink containing sour cherry juice and condensed coconut milk, which is not actually a problem.
I am not here to trash Netflix's Persuasion (2022), especially since I haven't seen it and other outlets have got that covered, but I did have a knee-jerk disagreement with the terms in which one review expressed its approval: "the subversive, fundamental elements that made the original text so beloved, cheeky and subversive far beyond the boundaries of the time in which it was written." I have no argument with the notion of Austen as iconoclast, I too have bounced off sentimental novels, but the thing about the past is that anything from it by definition exists within its boundaries. Persuasion wasn't teleported to the desk of John Murray Jr. from the twenty-first century. It was written, accepted, and published in 1817. When Anne Elliot argues against all the histories that are against women, it is all the more resonant because she is arguing in real time; if she looks like the future, it is because we inherited her. Alternately the reviewer just intended to refer to enduring relevance, but the other thing about the past is that its boundaries are not always where you expect them to be. (I bet Richard E. Grant is magnificent, though.)
Lacking a machine to shave ice with, I tried to replicate the necessary grade of splinter using a blender and have instead ended up with a frozen drink containing sour cherry juice and condensed coconut milk, which is not actually a problem.
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Seconded. With thanks!
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Welcome! Thank you!
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That drink sound fabulous. Where did you get the sour cherry juice? (Did you mash sour cherries?)
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Exactly! The "of their time" argument cuts both ways.
That drink sound fabulous. Where did you get the sour cherry juice? (Did you mash sour cherries?)
No, it came out of a storebought bottle that
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Ayup. Which remains a very dangerous idea about the natural progressiveness of history moving toward the current moment, especially when a current moment is going so hard in retrograde.
Sometimes those supposed "modern" opinions were actually quite widespread in ye olden days, even if said opinion is not what most people now believe that people in the past believed.
I find what people believe about the past almost as interesting as the past itself, where by interesting I often mean screaming a lot.
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I had this experience with Daniel Pinkwater. When last I checked, almost all of the movies cited in The Snarkout Boys and the Avocado of Death (1982) were either real or very thinly filed off from reality. I had no idea, in seventh grade, that he hadn't just made Attack the Mayan Mummy up.
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It hadn't even been on my radar until
I agree that Richard E. Grant is probably superb, but what they thought they were playing at with the rest of it is beyond me. Subversion, possibly, according to the reviewer quoted above.
Writing and directing for (ironic tildes around this next phrase) modern sensibilities may account for the rest, it belatedly occurred to me to consider. "If you're a 5 in London, you're a 10 in Bath" is the kind of anachronism that wouldn't be out of place in historical romances I have encountered where characters use phrases like "brain fuckery" and have completely twenty-first century attitudes and language around sexual consent and identity, because otherwise how do we know they are good and sympathetic people? I should be clear that I don't have a problem with anachronism per se. Some of my favorite historical films are full of it. But it has to feel like it's doing something other than suggesting that the past is at its best and most relevant when it's indistinguishable from the present with different clothes on and it really sounds like this Persuasion just blew it.
Maybe there'll be a supercut of Grant's scenes.
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That's delightful. It almost makes me want to watch half an episode of Loki.
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There is also an alligator Loki!
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As for the supercut of Grant's scenes, someone's probably working on it right now, lol.
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Thank you!
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Yes! All my reading of 18th century texts really shows that people wrote all sorts of surprising things in the past.
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It's one of the things I like about the past, really!
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(It is.)
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Well said!
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Thank you!
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"The closest equivalent I can think of is J Robert Oppenheimer, whose impressive work in the field of fast neutron calculation led directly to the creation of the atomic bomb. As Oppenheimer watched the very first nuclear detonation in July 1945, the terrifying explosion dominating the New Mexico horizon before his eyes reminded him of a quote from the Bhagavad Gita: 'Now I am become Death, destroyer of worlds'. If Phoebe Waller-Bridge ever has the misfortune of watching Persuasion, she should probably go and get that quote tattooed on her leg."
Ah well, sour cherry juice and condensed coconut milk sounds fabulous. So does that book.
Nine
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Laughing with horror, I read that paragraph to my mother last night!
Ah well, sour cherry juice and condensed coconut milk sounds fabulous.
I put the leftover condensed coconut milk over a mango tonight.
So does that book.
I am looking forward.
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(Was someone thwarted in their desire to make Sense & Sensibility & Sea-Monsters?)
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As the eighteenth century (see above) might say, "Wow."
[edit] "WHERE IS THE MUSIC COMING FROM ANNE"
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Holy. Cowshit. Someone wrote that. About Mr. van Beethoven.
They didn’t have ready access to cannabinoid derivatives in 1817 England so I can ONLY HOPE she’s got a half spinet shoved molderingly into one corner of her spinster-ass bedroom, Gentlethem!
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Please, please understand how much further down in the cowshit being a terrible writer actually is.
They didn’t have ready access to cannabinoid derivatives in 1817 England so I can ONLY HOPE she’s got a half spinet shoved molderingly into one corner of her spinster-ass bedroom, Gentlethem!
Alongside all the pins and ribbons she isn't using on her hair?
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*flails fatly*
LET'S ALL BE A FIRE HAZARD FIRE HAZARDING OUR WAY THROUGH THE COUNTRYSIDE EVEN THOUGH WE ARE SUPPOSED TO REPRESENT MOSTLY GOOD SENSE, WRY FORBEARANCE, AND ACCEPTANCE BECAUSE WE ARE 28 AND AN ECONOMIC DEPENDENT
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That sounds interesting - thanks for mentioning it!
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You're welcome!