How we grew each other's hearts and schemes of home
I got up early this morning for a COVID-19 test so that I can make my doctor's appointment on Friday. I would prefer not to have to see a doctor at all, but once again it turns out that being kept from regular access to medical care is bad for me. I am still not exactly sleeping and it means I'm not doing much of anything else except working, although I did eat some very nice Taiwanese food this afternoon and discover to my surprise that a pair of jeans I bought off the internet actually more or less fit. I have moved on to watching the 2005 BBC Bleak House, which I remember my father highly recommending to me at a point in time when I just couldn't picture anyone but Denholm Elliott as John Jarndyce. I am in fact enjoying it. I may also be maxing out my capacity to watch TV. I'm treating it as an experiment. While visiting my mother for purposes of honeycake-baking earlier this week, I ran into the neighbor with whom I had discussed the radio telescope I built in high school and Fred Hoyle's The Black Cloud (1957); this time he wanted to know if I had read Edwin Abbott Abbott's Flatland (1884) and then he asked what sort of science I did nowadays. I had to explain that I am not professionally a scientist any more than I am professionally a classicist or professionally a musician or any of the other things I seem to look like to people until they get close enough, although I did at least remember to tell him that I am professionally a writer. I know part of it is the beginning of the academic year, which I am starting to feel I will have to be actually dead not to feel like a ghost-shiver from the wrong universe over. (I hope that one is less plague-ridden and/or on fire. Somebody should get to be.) I know the sleeplessness never helps and I have been rummaging around in parts of my head that were likely to produce this reaction. I think I'd feel a lot better if I could write a poem about it. But for that I would have to be healthier and sleep more, which is where we came in.

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Good luck with the doctor today.
You are certainly professionally a writer, and the other things you do--science and classics and singing and folklore and film commentary and so on--you do with knowledge and joy and accomplishment, enriching the lives of everyone who experiences them. You're a real *everything*, very much alive, a shining part of the kaleidoscope. ... I would very much like for you to be a less-in-pain part of it, and a less physically vulnerable part of it. Always praying for that.
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The only thing I really liked about the 2005 "Bleak House," the only version I've seen, was Smallweed's repeated line "Shake me up, Judy," and her quick responding action. I did a text search afterward. In the book, he only said it once or twice, but in any case, it's a great reminder that someone who is in a wheelchair for hours, especially someone who might be paralyzed, needs frequent re-positioning to avoid skin breakdown. Otherwise, I mostly wanted to smack those people (nearly all of them). I'm sure it did me good to be familiar with a Dickens novel that I would probably never read, though.
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May the visit to the doctor be productive only of good.
P.
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I hope all the appointments go well.
And Shana Tova!
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In the event you're able to confirm a television capacity limit, you might consider spending part of screen time budget on Undine, either at the virtual NYFF, or at some point later. It seems thematically up your alley.
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Michael York, Martin Sheen, et al
https://youtu.be/C8oiwnNlyE4
Re: Michael York, Martin Sheen, et al
Re: Michael York, Martin Sheen, et al