sovay: (PJ Harvey: crow)
sovay ([personal profile] sovay) wrote2020-08-04 11:28 pm

Who cares how rich you are, love, when you look like Boris Karloff?

We have not yet been hit by a hurricane, although earlier this evening I watched a beautiful fast-sliding sunset of graphite-brushed and salmon-rose clouds like layers of moving glass. Have some links.

1. The folksinger Michael Smith has died. He wrote any number of beautiful, wry, thoughtful songs that became part of the folk tradition, such that I first heard several of them in the voices of other singers, but I knew him first and best for "Dead Egyptian Blues," which means I hope he was buried with at least a few grave goods.

2. I am delighted to see Scout Tafoya raising awareness for The Eternal (1998), otherwise known as my favorite bog body movie, but what do you mean Michael Almereyda made a movie about Nikola Tesla and I'm just hearing about it now? I can only hope it's as weird as Experimenter (2015).

3. Courtesy of [personal profile] kaffy_r: I had not previously heard of Stuart Stevens, but the interviews with him at Mother Jones and The New Yorker are both worth reading. tl;dr veteran Republican strategist turned out to be too honest not to recognize that the man in the White House was not a deviation from the values of his party but a culmination of them and then he had to figure out what to do about it.

4. As a result of recommending David Jones' In Parenthesis (1937), I discovered two books of his that I hadn't known about: The Sleeping Lord (1974) and Dai Greatcoat: a self-portrait of David Jones in his letters (1980). So now I have to figure out how to get hold of those.

5. Courtesy of [personal profile] moon_custafer: I am hoping I have not scared off a total stranger on AO3, but a person who writes fic for Night Nurse (1931), The Petrified Forest (1936), Act of Violence (1948), Johnny Eager (1942), and Three Strangers (1946) is a person I am incredibly glad to discover exists. I shouted somewhat to that effect in their comments and am now d'escaliering about appropriate levels of enthusiasm. I was just so happily surprised. [edit] HOORAY I HAVE NOT HORRIFIED THEM.

I rewatched A Night to Remember (1958) for the first time in ten or twelve years and this time around, in addition to noting with pleasure the presence of Michael Bryant in a small role (because once you notice a character actor, they can and probably will turn up anywhere), what struck me most was the lines invented for Kenneth More's Lightoller as he sits with James Dyrenforth's Gracie and thirty other freezing men on the overturned hull of Collapsible B, frost on their hair and the black sea broken only by the other lifeboats and terrible debris and the lights of the Carpathia steaming for them against all odds: "I've been at sea since I was a boy. I've been in sail. I've even been shipwrecked before. I know what the sea can do. But this is different . . . Because we were so sure. Because even though it's happened, it's still unbelievable. I don't think I'll ever feel sure again—about anything." It's the one scene of the film that feels contemporary rather than intensely of the moment, since for all its composites, elisions, and occasional errors the script is otherwise scrupulous about knowing only what history knew—more like post-WWII 1953 than pre-WWI 1912—and it also feels to me like weird fiction, like cosmic horror. The world can be smashed so badly out from underneath you, nothing can be trusted anymore. Which may explain why it occurred to me to rewatch the movie now, aside from the fact that I remembered liking it.
asakiyume: (miroku)

[personal profile] asakiyume 2020-08-05 09:24 pm (UTC)(link)
How marvelous about the AO3 fic writer who seems to have been tailor-made for you! That's great. And I'm pleased they've accepted your overtures in the right spirit, too.

I've been thinking about the quote you mention from A Night to Remember ... I wonder if (but please don't test me on this, universe!) I'm immune from the effects described due to never being sure of anything in that manner. I'll have to think about it more... I feel like probably I *could* be unmoored in the way the character described and that probably my sense that that's my starting point is actually an illusion. After all, my life has been pretty stable, really.

But yeah: I can see how it is like cosmic horror.
asakiyume: (miroku)

[personal profile] asakiyume 2020-08-05 10:43 pm (UTC)(link)
I'm nodding--I think you, me, and your mother have similar imaginative faculties.

I also have always recognized that anything that can happen to anyone anywhere can happen to to anyone else, somewhere else, and that the things that prevent it from happening to that someone else are absolutely subject to change, and when they change, well.

I have a vivid memory of learning, when I was about five, what starvation was. There was absolutely no reassurance my parents could make: the fact that *some* people died this way was all I needed to know.

The only reset I've had like your 2006 one was of an interpersonal nature (I think yours related maybe to your sense of your place in the world? And part of that was probably interpersonal, but I know there was much, much more). It came in 2014 and was indeed highly destabilizing and world shifting. And yet even then a voice in my head said to me, "You knew these things were possible--why didn't you think they could happen to you?"

Huh. Well I guess I've ratiocinated my way to empathy with the quote.
Edited (grammar) 2020-08-05 22:44 (UTC)
asakiyume: created by the ninja girl (Default)

[personal profile] asakiyume 2020-08-06 12:14 am (UTC)(link)
Wow--I don't think I've ever heard you explain this so directly.

fourteen years later it's still not instinctive. I am still not used to the limits on my life. --I understand this. By which I mean not only "I understand that you feel this way," but also, yes: I think I'd feel a me-version of this same thing if I had suffered this.

I'm profoundly grateful that you have persevered *anyway*. Persevered and continue to work wonders.