But Carthage may rise again one day
I cannot express my happiness on discovering that a queer classics student reblogged my ghost poem for Lucan on the occasion of the poet's yahrzeit; this is exactly the kind of tradition I want to be part of. Have some links!
1. In which my plan to stress-buy a zillion waistcoats is vindicated by literature: Samuel Rutter, "A Dandy's Guide to Decadent Self-Isolation."
2. Courtesy of
handful_ofdust: the value of practical effects in the case of the Cottingley Fairies.
3. Adam Bolivar, whose rhyming marionette theater I had the privilege of enjoying last summer at NecronomiCon 2019, has recorded his Rhysling Award-winning ballad "The Rime of the Eldritch Mariner" as performed byH.P. Lovecraft Theobald Craftwell. I also recommend checking out the self-introduction of dapper, skeletal Solomon Scratch.
4. Frankly, the history of the Pearl of Lao-Tzu makes Steinbeck's The Pearl (1947) look like a tea cozy.
5. The storyboards of The Ballet of the Red Shoes, from Powell and Pressburger's The Red Shoes (1948), are just great.
In case I forgot to mention, my short story "Where the Sky Is Silver and the Earth Is Brass" is reprinted in the latest issue of Uncanny Magazine. It won't be free to read online until June, but you can always buy an e-book.
1. In which my plan to stress-buy a zillion waistcoats is vindicated by literature: Samuel Rutter, "A Dandy's Guide to Decadent Self-Isolation."
2. Courtesy of
3. Adam Bolivar, whose rhyming marionette theater I had the privilege of enjoying last summer at NecronomiCon 2019, has recorded his Rhysling Award-winning ballad "The Rime of the Eldritch Mariner" as performed by
4. Frankly, the history of the Pearl of Lao-Tzu makes Steinbeck's The Pearl (1947) look like a tea cozy.
5. The storyboards of The Ballet of the Red Shoes, from Powell and Pressburger's The Red Shoes (1948), are just great.
In case I forgot to mention, my short story "Where the Sky Is Silver and the Earth Is Brass" is reprinted in the latest issue of Uncanny Magazine. It won't be free to read online until June, but you can always buy an e-book.

no subject
Despite its light fictionalization and occasional slush, FairyTale: A True Story (1997) did a beautiful job with this aspect of the story: the camera is a factual instrument—science doesn't lie—and so if the photographs themselves have not been tampered with, then what they captured must be real. The guarantee of the medium dissuades you from looking more closely at the subject.
(I should like to watch this movie again: I only saw it the one time with
Now I think nuclear waste is a huge huge problem, but even I could see that this guy was stuck on this assumption that it absolutely had to go in barrels--and apparently metal ones at that.
Yeah, I think there are better solutions!
I approve of a waistcoat-enhanced quarantine.
Thank you. I shall let you know if it comes to pass.