And the wind chime strikes and your dead stare strikes
I wasn't surprised about The Seventh Seal (1957), but I had no idea my brain considered Bergman generally comfort viewing. I just rewatched The Devil's Eye (Djävulens öga, 1960) and The Magician (Ansiktet, 1958)—in the case of the former, for the first time since the winter of 1999; I had liked it then and it was better than I remembered—and if I didn't need to make myself try to fall asleep I would probably have cued up Hour of the Wolf (Vargtimmen, 1968), it being the right time of night and all. I bounced hard off Persona (1966), but everything else I can recall has been a hit. Do I just find existentialism basically reassuring? I don't want to read Camus, even if all the cool kids are doing it.

no subject
A philosophy where we infuse our lives with meaning and purpose? I mean, *I* find it reassuring/heartening, so I wouldn't be surprised if you did too.
no subject
I hope you enjoy when you get to it!Thank you!A philosophy where we infuse our lives with meaning and purpose? I mean, *I* find it reassuring/heartening, so I wouldn't be surprised if you did too.
Well, when you put it that way.
no subject