See the ghost fly over the sea
Last night I watched Casablanca for the third time. I am still in love with Claude Rains. My grandfather remarks that he can't watch even scenes from the movie without remembering how it felt to see Casablanca for the first time in the middle of World War II; how it felt in 1942 to hear "La Marseillaise" drown out "Die Wacht am Rhein." He was a student at the time, but his eyesight kept him out of military service—never mind leaves, he nearly hadn't known trees had branches until he got his first pair of glasses. Hirshke, you're blind as half a bat . . . He worked in an ink-making plant and finished his dissertation and my mother was born in 1946. And by the time I saw Casablanca, this was all family stories: in the past. For me.
This afternoon, since the latest scene was my responsibility, I worked on the collaboration with
I seem to have several songs from Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys steadily stuck in my head, on rotation. I may have to buy the entire set after all.
Oh, you pinks and posies
Go down, you blood red roses, go down . . .
Talk to

no subject
I watched it on my grandmother's 43 inch widescreen television and I sat very close to the screen. But it's probably not quite the same.
I mean, it's always nice if your work inspires people, right? I just wasn't prepared for my legacy to the internet to be unicorn slash . . .
Just imagine how many orgasms you're indirectly responsible for. That's greatness.