Got a book off the shelf today, it's going to tell me what I should say
This cold has now officially progressed to the lying-on-the-couch-coughing-staring-at-movies stage. I don't know whether to forecast reviews or radio silence. Might depend on the movies. Angel Face (1953) by Otto Preminger was noir by the numbers to me until it opened into the perspective of its main female character, at which point the story of a spoilt seductress, the patsy who wants no part of her, and a murder gone wrong becomes much less familiarly nasty, much more unavoidably tragic—it has a killer ending and a performance that I hope Jean Simmons is remembered for, even if so much of it only becomes exemplary in hindsight. I had no idea the original live TV version of Twelve Angry Men (1954) had even been recorded, but the smutchy, irreplaceable kinescope runs exactly an hour, is very effectively less personal than the later stage and film versions, and proves that when I thought Robert Cummings was underpowered as a leading man in The Black Book (1949), he was probably just underwritten. I had the company of a very good movie cat and later my husband (who points out that Twelve Angry Men directly prefigures 1776 in its exploration of important civic issues through a male ensemble yelling at each other in a very hot room—it even uses the same device of counting down each vote toward consensus or catastrophe). Also the cold, but it is an unwelcome guest.
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I didn't know there was a live TV version of Twelve Angry Men
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I like the way you think.
I didn't know there was a live TV version of Twelve Angry Men
I'd known there was a teleplay that predated both the stage play and the film; I hadn't known it had survived in any watchable form because so much early television did not. Apparently it was considered lost until 2003, when this kinescope turned up in the family of a lawyer who had requested a copy from CBS shortly after broadcast (and they'd just sent him one! and his kids hadn't thrown it out! I love these happenstances of preservation). Joseph Sweeney and George Voskovec reprised their roles as Jurors #9 and #11 in the 1957 film and the rest of the cast is otherwise different: Cummings plays Juror #8, the Henry Fonda role, opposite Franchot Tone as Juror #3, the Lee J. Cobb. Lee Phillips plays Juror #5, Jack Klugman in the film. I didn't recognize anyone else except Norman Feld as the Foreman, but
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I'd be very interested in reading a side-to-side comparison if you do rewatch the film, though I think what you've given here is a great look at what have to be key elements.
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I've been told it could be done as recently as the '90's. I hope it's still possible.
I'd be very interested in reading a side-to-side comparison if you do rewatch the film, though I think what you've given here is a great look at what have to be key elements.
Thank you! I will keep it in mind. At the moment I seem to be watching a lot of noir and planning on Kiki's Delivery Service.
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