The riverbed will run red with the blood of the saints and the blood of the holy
Courtesy of ![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
handful_ofdust: Zeal & Ardor, a Black metal band. That is, a black metal band whose major influence is Black American field hollers and spirituals. Writer-frontman Manuel Gagneux is biracial and started the band in response to racist abuse on 4chan, which may be the best outcome I have ever heard of people being racist on 4chan; the results are shredding and subversive, the perfect Kai Ashante Wilson soundtrack. That the nine songs on their debut album appear to have burst in from some fearful history where the forced Christianity of slavery engendered instead the defiant seeking out of Satan makes it all the sharper that Gagneux's vocals have been mistaken for the Alan Lomax field recordings they quite deliberately sound like. I heard "Blood in the River" first and it's hair-raising. Its author associates it with the Stono Rebellion. I could not help associating it with Orlando Jones' Mr. Nancy. "Devil Is Fine," the band's only official video so far, is a close second. The two projects are not otherwise sonically alike, but the time-rupturing, musically confrontational qualities of Devil Is Fine (2016/2017) reminded me powerfully of clipping.'s Splendor & Misery (2016), which I still wish had won the Hugo. [edit: I am not the only person who thinks so.] In short, they are well worth your listening, although not if you need to concentrate on anything else at all.
handful_ofdust: Zeal & Ardor, a Black metal band. That is, a black metal band whose major influence is Black American field hollers and spirituals. Writer-frontman Manuel Gagneux is biracial and started the band in response to racist abuse on 4chan, which may be the best outcome I have ever heard of people being racist on 4chan; the results are shredding and subversive, the perfect Kai Ashante Wilson soundtrack. That the nine songs on their debut album appear to have burst in from some fearful history where the forced Christianity of slavery engendered instead the defiant seeking out of Satan makes it all the sharper that Gagneux's vocals have been mistaken for the Alan Lomax field recordings they quite deliberately sound like. I heard "Blood in the River" first and it's hair-raising. Its author associates it with the Stono Rebellion. I could not help associating it with Orlando Jones' Mr. Nancy. "Devil Is Fine," the band's only official video so far, is a close second. The two projects are not otherwise sonically alike, but the time-rupturing, musically confrontational qualities of Devil Is Fine (2016/2017) reminded me powerfully of clipping.'s Splendor & Misery (2016), which I still wish had won the Hugo. [edit: I am not the only person who thinks so.] In short, they are well worth your listening, although not if you need to concentrate on anything else at all.
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You're very welcome! I was blown away.
*adds of list of songs I want to use in a vid at some point*
Yay.
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I bought the album even though I never buy digital-only music (my computer is too fragile to make it a good investment—I need to be able to re-rip CDs at need) just because I wanted to throw money at the band. Other standouts for me include "Come On Down" and the swampy, whispered noir of "What Is a Killer Like You Gonna Do Here?" but I keep returning to "Blood in the River." It's just that good.
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You're welcome. They are some of the best new music I've heard in a long, long time.
I hope they bring this out on CD. I hope they bring out more albums, full stop!
Agreed!
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You're very welcome. I've been listening to it all day since discovery.
Apropos of nothing except metal, have you read Elizabeth Hand's Available Dark (2012)?
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No, I haven't, but it is on my list. I loved Waking the Moon to death, and I really need to read more of Hand's stuff.
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The first Cass Neary novel, Generation Loss (2007), is enjoyable but skippable, but Available Dark is excellent about both Norse mythology and black metal. It's currently my favorite novel of Hand's along with her wholly different first novel Winterlong (1988). I have not yet read the third book in the series, Hard Light (2016), and really need to.
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That is a totally legitimate reaction.