Living is a gamble, baby, loving's much the same
My poems "The Warm Past" and "bn ʾdnbʿl bn ʾdrbʿl" have been accepted by Mythic Delirium. The first takes its name from
elisem's fossil coral earrings and is dedicated to the memory of Ely Kish, who painted the Smithsonian's "Life in the Ancient Seas." The second was a direct result of this Carthaginian stele; the title is a patronymic, naming the father and grandfather of the man who dedicated the stone. The mixed Punic-Roman name intrigued me.
Apparently I watched a lot of movies between my last re-read of Daniel Pinkwater's The Snarkout Boys and the Avocado of Death (1982) and this latest one, because I recognized instantly the Laurel and Hardy short the protagonists come in at the end of—"in which Laurel and Hardy are destroying the guy's house, and the guy is destroying their car"—as Big Business (1929), which
derspatchel and I caught earlier this year on TCM. It starts with Christmas tree sales and escalates from there. I can also now appreciate that this superlatively goofy novel contains some quite decent film criticism: "The thing about Laurel and Hardy movies that you can't get from the chopped-up versions on television is how beautiful they are. Things happen at exactly the moment they have to happen. They don't happen a second too soon or too late. You can even predict what's going to happen—and it does happen—and it surprises you anyway. It doesn't surprise you because it happened, but because it happened so perfectly." Lastly, now that I've verified the existence of Attack of the Mayan Mummy (1964) and Das Dreimäderlhaus (1958), I really think only about five of the films name-checked in the novel are fake and it's possible I think that only because I don't know as much about Mexican B-movies as I should. It's also possible there's some recombinant camouflage going on. To the best of my knowledge there is no Yugoslavian film called Vampires in a Deserted Seaside Hotel at the End of August, but the Belgian Daughters of Darkness (1971) is totally a thing. I have loved this book since seventh grade and I love that it only rewards re-reading, especially if you have been essentially living at an arthouse theater for a year. Highly recommended, especially if you like avocados.
Everything else about today has been really terrible.
Apparently I watched a lot of movies between my last re-read of Daniel Pinkwater's The Snarkout Boys and the Avocado of Death (1982) and this latest one, because I recognized instantly the Laurel and Hardy short the protagonists come in at the end of—"in which Laurel and Hardy are destroying the guy's house, and the guy is destroying their car"—as Big Business (1929), which
Everything else about today has been really terrible.

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Thank you! (Did you mean to leave the comment on this post? Now updated to include an extra poem, because it just went live.)
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MULTIPLE TABS ARE LIKE THIS. NO WORRIES.
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BRAINS.
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His memory made blessing. And lapidary art made poetry. Lovely.
*hugs*
Nine
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The title suggests it's spoofing Last Year at Marienbad (1961), Swept Away by an Unusual Destiny in the Blue Sea of August(1974), and probably some European vampire film that handful_ofdust can spot more easily than I.
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Given that Daughters of Darkness contains vampires and was filmed in an off-season seaside hotel, it's the one I thought of. It makes me wonder how many of the other obvious spoof titles—barring Invasion of the Bageloids, which is obviously a Pinkwater story—are this kind of sideways reference. For years I thought Attack of the Mayan Mummy was a fake, but no. Now I find myself reconsidering things like Attack of the Pit People and Guacamole Monster.
I'd never heard of Swept Away by an Unusual Destiny in the Blue Sea of August. That's a magnificent title.
[edit] I realized what was unclear about my original post and have edited accordingly. The vampire films were not a paired example of actual and fictional movies name-checked in The Snarkout Boys and the Avocado of Death—Daughters of Darkness nowhere rates a mention. I introduced it as the presumed source for Vampires in a Deserted Seaside etc. I hope that is more obvious now. Apologies for the confusion.
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Thank you.
(Her memory. Born Eleanor. Survived by her partner of thirty-five years, Huguette Vrancken. Terrific face.)
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Nine
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Lizard Music is the first Pinkwater I can remember reading and still one of my favorites. The Snarkout Boys and the Avocado of Death and Borgel are the other ones I really return to.
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Thank you! That's more information than I've ever had about Pinkwater in one place. Also, it explains the different names he published under, which I always thought was maybe done just to troll libraries.
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Clearly I need to read that Pinkwater book.
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Thank you!
I need to read some Pinkwater...
As previously mentioned, I think you cannot go wrong with The Snarkout Boys and the Avocado of Death (1982) and its sequel The Snarkout Boys and the Baconburg Horror (1984), especially if you like in-jokes about classic and cult movies; Lizard Music (1976), his first novel, which inspired
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Thank you!
Clearly I need to read that Pinkwater book.
You really do! Also the sequel, The Snarkout Boys and the Baconburg Horror (1984), because one of the protagonists has a crush on Laird Cregar.
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The way Pinkwater writes about the world's greatest diner food, I'm not surprised. I'd eat a bagel right now if my braces allowed it.
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I've read almost all of Bellairs; I don't think I've read any of the Strickland completions. They are among the few books that really disturbed me as a child and as an adult I have really enjoyed revisiting them. I have a couple of comments on the experience. I go in and out of thinking about his children's books, but I will always love The Face in the Frost (1969).
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< hugs >
I am so sorry.
I mean, you told me about some of it, but...yeah, renewed sympathy.
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This should be the title of something delicate.
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Thank you. It's appreciated.
*hugs*
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A story or a recipe?
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You're very welcome. I would enjoy such a street to choose from. If you dream it again, let me know what we decided.
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Young Adult Novel has also rewarded occasional re-reads, once I got past high school and could appreciate it as satire instead of meanness. I read its sequels all the way through, once, and...I have no idea whether re-reading them might allow me to appreciate them as satire. I don't intend to try the experiment. They were, and this isn't a term I often use, depressing.
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Nice. I like your definition of the books as urban fantasy; Pinkwater often has a strong sense of place, but the city is especially a character in those two. I am entertained that I have grown up into a person with opinions about most of the movies name-checked at the Snark.
I read its sequels all the way through, once, and...I have no idea whether re-reading them might allow me to appreciate them as satire. I don't intend to try the experiment. They were, and this isn't a term I often use, depressing.
I didn't realize Young Adult Novel had sequels. I read it as an adult and liked it very much, if it's the one I'm thinking of, with the Wild Dada Ducks and the dangers of trying to write someone else's life. "It has no moral. It is a Dada story."
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I remember both sequels as being unrelentingly grim. If I want to read about terrible things happening to characters who are obsessed with curating their own self-image, I'm not short on options.