So would an ermine violin, Doctor, but I see no advantage in having one

[sovay]

1. In The Making of Star Trek (1968), which I am currently re-reading for the first time since high school, Gene Roddenberry says a singularly boneheaded thing about Spock:

Which is one of the reasons why Spock is an interesting character: the turmoil and conflict within. As half-human and half-Vulcan, he is continually at war within himself. For some reason this makes him particularly delightful to our female viewers, and of all ages. I guess they know that somewhere inside him there is a strong, emotional Earth man trying to come out. And they would love to help.

I don't argue with the character's status as a sex symbol. Leonard Nimoy is a very good-looking person, a sharp intellect and a deadpan raised eyebrow are always in demand, and besides the fanfic speaks for itself. But the reasons I imprinted on Spock as a young viewer (and reader; because of the way television worked versus books in my childhood, I read most of the scripts as short stories before I saw the original episodes) had nothing to do with his humanity, romantically stifled or not. It was his alienness that spoke to me. Or his half-alienness, which Roddenberry is correct gave him an intriguing, liminal quality.* It was very valuable to me, as a child, to have a sympathetic main character who was defined by his difference from the mainstream of human interaction, not existing in isolation, but not assimilated, either, nonplussed by so many of the common behaviors around him: just because he shares the genetics doesn't mean the mindset makes sense. In hindsight, I think it was equally valuable that he is not punished for this attitude by the narrative he's in. Especially in light of later Star Trek, I find it striking and welcome that Spock's emotional arc, such as he has one, does not revolve around him becoming more human or more conventionally expressive; he doesn't deny his mother's heritage or his emotions when they come into play, but his comfortable balance will always be on the Vulcan side, however offputting that may be for the non-Vulcans around him. Zachary Quinto's alt-Spock doesn't work for me precisely because of the greater emphasis on his emotions. It's not a stupid characterization—and possibly it's more in line with Roddenberry's reading—but it seems to erase much of what made the original character distinctive in the first place.

Anyway, leaving aside the assumption that female viewers automatically invest in the romance angle of a character before anything else, I disagree with Roddenberry that Spock's appeal lies in the idea that secretly he's as passionate as any human; that the Vulcan coolness is somehow just a front. (If nothing else, canonically, Vulcans are passionate, too.) If you want a strong, emotional, Earth-type partner, it's not like the Enterprise is exactly lacking in options. The First Officer is different and that's the point. I cannot imagine that I was the only person of whatever gender to feel this way about Spock.

* Growing up, my brother and I were "both-ways children"—a term my mother invented to answer the people who wanted to know what my brother and I were, with a Jewish mother and an atheist-from-a-mixed-Christian-family father. Spock being half-Vulcan, but also Vulcan by choice, was important. I was married by a rabbi and my brother baptized his daughter.

2. How to Live on Other Planets: A Handbook for Aspiring Aliens, in which my poem "Di Vayse Pave" (די ווײַסע פּאַווע, "The White Peacock") is reprinted, is now available for preorder in all digital formats, three of which landed in my inbox night before last. It's an amazing collection of fiction and poetry from writers like Ken Liu, Bogi Takács, Benjamin Rosenbaum, Mary Anne Mohanraj, Rose Lemberg, Zen Cho, Daniel José Older, Bryan Thao Worra, Indrapramit Das, Alex Dally MacFarlane, and many, many more. As editor Joanne Merriam notes: "Despite the natural comparison of alien to alien, I'm not aware of any other speculative fiction anthology which has gathered together stories focusing exclusively on the immigrant experience." Print copies are forthcoming as well. I think most people I know are going to want one.

3. This is a gif of Leslie Howard eating a banana. Someone has won the internet.

I must take this lemon meringue pie out of the oven.

Comments

[thistleingrey]

I never understood Roddenberry's sense that Spock must be at war with himself or that part of his heritage was trying to assert itself over other parts. (I was eleven or twelve when I read that book.) It made me think about gaze long years before having to read relevant bits of theory, however, and though I didn't + don't think of myself as either exotic or physically attractive, the idea that something between or specifically other as Spock is helped me deal with the awkwardness of learning that some people considered me exotic automatically or found my face unusually interesting. (It's not like there were many mixed-ethnicity sidekick characters in books at that time, even.)

I think it was equally valuable that he is not punished for this attitude by the narrative he's in.

Yes yes yes. I sure was.

[kate_nepveu]

* rolls eyes at The Tragic Mulatto, alien/human edition *

[schreibergasse.livejournal.com]

Yay pie!

[gwynnega]

That collection sounds fantastic!

Yay Leslie Howard eating a banana.

[asakiyume.livejournal.com]

not existing in isolation, but not assimilated, either

YES. Allowed to be with others, and be different.

I agree with you. Why have the endgame be that in the end, everyone is on one main pattern. "He may seem buttoned down, but really he's torridly passionate!"

No. Maybe he's precisely as he seems. Maybe he is *never* going to be Sulu with a sword or Kirk whispering sweet nothings. Maybe, unlike Data in TNG, he doesn't want to be a Real Boy. Maybe his culture and practice aren't completely valueless things that he'll eventually put aside.

And yay! How to Live on Other Planets! And pie always deserves cheers.

[seajules]

This post makes me happy. And yes about original!Spock, though I disagree about alt!Spock. To me, he is just as liminal, but it's only that he expresses it differently; I feel like his fury is itself shown to be a thing that sets him apart in the context of both his cultures, and it's shown to underlie his coolness in ways to which I can relate, but again are clearly not entirely comfortable for the people around him.