I'm sorry I said you had shmutz on your head when it was Ash Wednesday
Other things, because other things happen:
1. Opera Boston is closing. I am really not happy about this, and not only because I had season tickets. They've been my favorite opera company ever since they staged a non-Hoffmann Offenbach in 2004; their repertoire seemed to split fairly evenly between operas I didn't know at all and operas I didn't know when I'd ever get the chance to see again. The same people did Menotti's The Consul, Brecht and Weill's Aufstieg und Fall der Stadt Mahagonny, Shostakovich's The Nose, Zhou Long and Cerise Lim Jacobs' Madame White Snake, and Hindemith's Cardillac. It was like they were taking requests from my brain. And just to add inaccessibility to insult, they're folding in the middle of the season: there goes Tippett's The Midsummer Marriage. I wanted to see that ever since I knew it existed. Opera drawn from The Waste Land! How often does that happen? Even more rarely now, it seems.
2. One of the books I finished last night at the hospital was Jim Butcher's Ghost Story (2011), meaning I'm now in the same straits as most of the people who recommended me this series. Seriously, can anyone explain to me why the entire Dresden Files fandom appears to revolve strictly around the uninteresting (and unbelievable) matchup of Harry Dresden and Johnny Marcone? It's enough to make me long for Yuletide's rare pairings option and I don't even participate. Words cannot express how happily I would read the amazing adventures of Butters and Bob and weekly calls from Butters' mom. (He's the genius behind the Quasimodo Polka. He's a spirit in a skull in a flashlight. She wants to know when one of them is going to find a nice Jewish girl. God, that probably just causes Bob to refine his search terms for porn. They . . . actually do fight crime. They're pretty good at it, too.)
3. Robert Donat was so much more interesting without his moustache. The Count of Monte Cristo (1934) and The 39 Steps (1935) make him look positively conventional. Who's this weird little fellow? Or this pin-up? Chameleon.
4. This journal may need a serious alteration in style unless I can find some way to remove the stupider features of the S2 upgrade, like tagging keywords to icons in the field and unnecessary text to comments all over the place. I'm not thrilled with the compulsory icons on the main page. It does not help that the individual posts aren't in the old style: they simply aren't in the awful new one. Anyone want to point me in the direction of some nice HTML?
5. This is a great album.
None of the usual things are happening for Christmas this year.
rushthatspeaks and
gaudior are here. I am very glad of them.
1. Opera Boston is closing. I am really not happy about this, and not only because I had season tickets. They've been my favorite opera company ever since they staged a non-Hoffmann Offenbach in 2004; their repertoire seemed to split fairly evenly between operas I didn't know at all and operas I didn't know when I'd ever get the chance to see again. The same people did Menotti's The Consul, Brecht and Weill's Aufstieg und Fall der Stadt Mahagonny, Shostakovich's The Nose, Zhou Long and Cerise Lim Jacobs' Madame White Snake, and Hindemith's Cardillac. It was like they were taking requests from my brain. And just to add inaccessibility to insult, they're folding in the middle of the season: there goes Tippett's The Midsummer Marriage. I wanted to see that ever since I knew it existed. Opera drawn from The Waste Land! How often does that happen? Even more rarely now, it seems.
2. One of the books I finished last night at the hospital was Jim Butcher's Ghost Story (2011), meaning I'm now in the same straits as most of the people who recommended me this series. Seriously, can anyone explain to me why the entire Dresden Files fandom appears to revolve strictly around the uninteresting (and unbelievable) matchup of Harry Dresden and Johnny Marcone? It's enough to make me long for Yuletide's rare pairings option and I don't even participate. Words cannot express how happily I would read the amazing adventures of Butters and Bob and weekly calls from Butters' mom. (He's the genius behind the Quasimodo Polka. He's a spirit in a skull in a flashlight. She wants to know when one of them is going to find a nice Jewish girl. God, that probably just causes Bob to refine his search terms for porn. They . . . actually do fight crime. They're pretty good at it, too.)
3. Robert Donat was so much more interesting without his moustache. The Count of Monte Cristo (1934) and The 39 Steps (1935) make him look positively conventional. Who's this weird little fellow? Or this pin-up? Chameleon.
4. This journal may need a serious alteration in style unless I can find some way to remove the stupider features of the S2 upgrade, like tagging keywords to icons in the field and unnecessary text to comments all over the place. I'm not thrilled with the compulsory icons on the main page. It does not help that the individual posts aren't in the old style: they simply aren't in the awful new one. Anyone want to point me in the direction of some nice HTML?
5. This is a great album.
None of the usual things are happening for Christmas this year.

no subject
That weird little fellow is adorable. Do you know what film he was in? Or the smolderer?
That album confirms: you can get anything you want. Even Alice.
I am so very glad that your cousins are with you. Give them my love.
Nine
no subject
Seriously, can anyone explain to me why the entire Dresden Files fandom appears to revolve strictly around the uninteresting (and unbelievable) matchup of Harry Dresden and Johnny Marcone?
I wish I could, because if I could do that I could probably explain why so much of Harry Potter fandom revolves around uninteresting and unlikely pairings. (Harry/Draco? Draco/Hermione? I can't decide which is worse.)
I suspect I'd like the DF fanfic you're wishing for. I'm going to have to read that one with the tyrannosaur--I didn't manage to make it to the library before they closed for the holidays.
3...Chameleon.
It's interesting how some actors have that gift.
4.
I wish I knew a fix for you. I wish it weren't such an ever-loving mess. I've gone and complained in every place I could find.
I'm glad your cousins are there to be with you. Blessings to all of you, to all of your family.
no subject
One less reason not to move to New York, eh?
no subject
no subject
They have been stuck in my head since I discovered their last year's Hanukkah EP. It isn't getting any better.
I know you do it like a Greek and you're hung like a Christmas tree
But you can be my Shabbes boy, I'll be your Maccabee
So come and taste my matzah balls, come and light my lights
I've only got one drop of lube, but it'll last us eight long nights
—"I'll Be Your Maccabee"
no subject
This would really be the right time of year for a mysterious benefactor.
Do you know what film he was in? Or the smolderer?
The weird little fellow looks like William Friese-Greene of The Magic Box (1951). I have no idea about the pin-up. Maybe just Donat himself. I'm not complaining.
(He directed a film. I'll see if I can find it. Want to watch Robert Donat being Northern?)
That album confirms: you can get anything you want. Even Alice.
Do you have any idea how catchy "I <3 Str8 Men (Butt Not 4 Sex)" is? "I don't want the kind of sodomite who'll put it in a broad a night . . ."
I am so very glad that your cousins are with you. Give them my love.
Will do.
no subject
That's Dead Beat (2005). You probably could start there.
It's interesting how some actors have that gift.
Generally the ones I like best. I love realizing I've seen the same actor in three previous roles and never spotted them till now.
I'm glad your cousins are there to be with you. Blessings to all of you, to all of your family.
Thank you.
no subject
Only when I have the money for it . . .
no subject
Thank you.
*hugs*
no subject
I do believe that there are rich opera lovers in Boston, but I believe also that they are directing their money to e.g. the Met in New York, partly because of Boston's stuttering record with opera. In other words, it's a cycle: opera can't get funded unless it's funded. In Boston, also, though it's a musically literate city, an opera company has tough competition from any number of musical groups, many of them world-class and internationally recognized, and establishing a new group in the midst of that is very difficult. Caldwell probably had the best chance of success (charisma, recognition), and did not succeed.
no subject
"Antediluvian regional farce"
Oh yes, please!
Northern accents, strong women, and Donat stammering.
The Magic Box sounds like Forgotten Silver played straight.
Nine
no subject
The Boston Lyric Opera hasn't disappeared that I know of, and in the last few years they've been branching out into interesting repertoire—Handel's Agrippina, Britten's The Turn of the Screw, Strauss' Ariadne auf Naxos, plus some productions I couldn't get to, like the Terezín opera Der Kaiser von Atlantis, oder Die Tod-Verweigerung—but I still preferred the choice of companies. Opera Boston was welcomely weird.
(I also miss Opera Aperta, even though they were tiny and existed for maybe two or three years. I knew people in the company.)
Caldwell probably had the best chance of success (charisma, recognition), and did not succeed.
Sigh.
no subject
That 'weird little fellow' photo of Donat makes him look very cute, in a puckish fashion.
I'm glad you're not alone. Take care.
no subject
I don't know Pansy Division. Schmekel are sort of queercore klezmer folk-polka: they're a recent discovery and I'm incredibly fond of them.
That 'weird little fellow' photo of Donat makes him look very cute, in a puckish fashion.
It succeeds in making me want to see the film. I had thought he had only one face, like most leading actors of the period. Completely wrong.
Take care.
Thank you.
no subject