cucumberseed drew me a haruspex:

His
Autumn War is an extraordinary world.
I spent a portion of this afternoon in Harvard Square with
lesser_celery, mostly looking at books neither of us could afford to buy. We did not talk nearly as much as I would have liked (for which I blame the fact that I disappeared first into A.S. Byatt's
The Matisse Stories (1993) and then a monograph on Miyazaki's
Spirited Away), but at least it was in person rather than pixels. We conversed about the important things, like swine flu and unnatural acts. I should still have brought a camera. He's like spirit photography.
Afterward, I took the bus home. Somewhere between Porter Square and Route 16, two girls got on; I thought at first that one of them had a tattoo above the collar of her T-shirt, but it was a port-wine birthmark that began on her chin and spilled down the left side of her throat where it vanished under the green-and-white cotton. Maybe I still have
time_shark and
Goblin Fruit on the brain, but I looked at her and thought of maenads.
Will you drink out of the blood, the white wine and the red? I don't know if it's fair to steal her face for a story. She was beautiful.
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I remember riding that bus daily, for a short period of time when I was staying with my grandmother and taking a summer course.
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I just spent five very confused minutes trying to figure out whether
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Tell it!
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I reckon it's fair. Writers steal all other things and bodge them together, do we not?
And I'd love to read that story.
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Mining Disaster
(And I never commented here on the strange shifting of contexts I experienced as I recognized the post title: In the town of Springhill, Nova Scotia / Down in the dark of the Cumberland mine / There's blood on the coal and the miners lie ... .)
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