Make me a wreck as I come back and spare me as I'm going
Rabbit, rabbit! I am thrilled at the notion that we may have been splatted into on Saturday by an Eta Aquariid. I will otherwise have missed all of the year's meteor showers to date.
On a forecast of long-range optimism, I am planning this summer on Readercon and NecronomiCon Providence. Noir City Boston is nearer enough future to be uncertain, but this year's selection is generously defined as jazz-themed and I am really eyeing that 35 mm screening of Blues in the Night (1941) backed with Black Angel (1946).
Last week![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
selkie shipped me a paperback of Lee Welch's Mr Collins in Love (2025) and this afternoon a_reasonable_man was responsible for the arrival on my doorstep of Molly Crabapple's Here Where We Live Is Our Country: The Story of the Jewish Bund (2026), which swathe of interests makes me feel very catered for.
I had not heard of Goblin Band before discovering their exuberant version of "Clyde Water" (2026), a ballad I have loved since Kate Rusby viaselkie and Nic Jones via nineweaving. I have since gathered with pleasure that they are trans/queer trad folk and Martin Carthy likes them.
For the first time in several days the weather heaved itself out of its autumnally raw overcast and I walked around and took a slightly disheveled seasonal picture.
On a forecast of long-range optimism, I am planning this summer on Readercon and NecronomiCon Providence. Noir City Boston is nearer enough future to be uncertain, but this year's selection is generously defined as jazz-themed and I am really eyeing that 35 mm screening of Blues in the Night (1941) backed with Black Angel (1946).
Last week
selkie shipped me a paperback of Lee Welch's Mr Collins in Love (2025) and this afternoon a_reasonable_man was responsible for the arrival on my doorstep of Molly Crabapple's Here Where We Live Is Our Country: The Story of the Jewish Bund (2026), which swathe of interests makes me feel very catered for.I had not heard of Goblin Band before discovering their exuberant version of "Clyde Water" (2026), a ballad I have loved since Kate Rusby via
selkie and Nic Jones via nineweaving. I have since gathered with pleasure that they are trans/queer trad folk and Martin Carthy likes them.For the first time in several days the weather heaved itself out of its autumnally raw overcast and I walked around and took a slightly disheveled seasonal picture.
