Ain't nobody write me like you read me before
I freely admit that I ground my way through the protracted heteronormative anxieties of Strange Lady in Town (1955) for the continued presence of twenty-three-year-old Lois Smith as Spurs O'Brien, one of those mixed-up motherless tomboys who just needs her gender trouble sorted out by her father's remarriage to a strong feminine role model if you believe the screenplay and looks such a late nineteenth century baby dyke in her ranch jacket and jingling boots that you feel she's just waiting for motorcycle clubs to be invented. Her crush on a cavalry lieutenant is narratively doomed and might in any case have been envy. Put her in a ball gown, she's right back in trousers and string ties the next scene, heedless and gallant as any young grandee. I mean when Dana Andrews drags his heels on the sub-screwball romance through which the picture manifests its stresses over the place of professional women, Spurs does her best to run off with Greer Garson herself, all the way back to Boston. "I don't know, Doc, except—well, except I can't figure out any sort of life without you." What did the film think it was doing with her? I don't even know what it thought it was doing with the slap-kiss of its textual couple, but I took an awful screencap just because of the lingering way Spurs sees herself out of a room with Garson's Dr. Julia Garth in it. Once she gets over the rebound, she'll make some Eastern belle ring. "But what a woman!"



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It is not a good movie, but honestly she's amazing. "Don't argue," she orders her father, "just get on your horse and get busy, because I'm warning you, if she leaves town, then I'm leaving with her!" And then she's as good as her word.
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I think it would be the best thing possible for the movie if you did.
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Dana Andrews snoozes, he loses.
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Hooray! She is what the picture has going for it.
(And yet it's the much more conventionally-feminine looking woman on the right who's a doctor? This film sounds interesting, if not good)
(It's true that its confusion produced results compelling enough I had to write about them. That is indeed the doctor in red.)
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And, huh! Lois Smith is still alive and kicking at 95, and still making movies.
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You see why I couldn't just turn the thing off.
And, huh! Lois Smith is still alive and kicking at 95, and still making movies.
Yes! I had seen her younger without knowing her, but I discovered her with Marjorie Prime (2017). I checked that she was still around.
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Fortunately, it would be no penance.