I see the wings in everything
My life at the moment exists in irregular alternation between nights I can avoid the construction with other stress and mornings visited by the asphalt roller of the apocalypse. We have a steel plate in front of our house and a sort of trench across the block. I slept on and off in the morning and toward evening went for a walk.

The milkweed is turning ghostly.

These flowers looked hand-painted and were orbiting with bees.

The hibiscus was crystallizing with pollen.

Last night, Hestia made a persuasive argument that we should feed her—again—instead of watching It Came from Outer Space (1953).
Have some links.
1. I wish Adam Schlesinger were around to appreciate Sub-Radio's "Stacy's Dad" (2022).
2. Please anyone with sense make a movie from the photo which leads off this interview with Chloë Sevigny.
3. By stumbling into one of its chapters, I have just discovered the full open-access text of The Dybbuk Century: The Jewish Play That Possessed the World (ed. Debra Caplan and Rachel Merrill Moss, 2023), my sole complaint being that I feel it stole its title from Gwynne Garfinkle or Rebecca Fraimow or Jeannelle M. Ferreira.
4. I have not yet listened to Michael Symmons Roberts' Danger 2023 (2023), but I will be fascinated to see if it works with its conceit as directly as Richard Hughes' Danger (1924).
5. Because everyone is sharing it and I can't draw Jack Griffin covered in cheese snack crumbs: "The dye in Doritos can make mice transparent."

The milkweed is turning ghostly.

These flowers looked hand-painted and were orbiting with bees.

The hibiscus was crystallizing with pollen.

Last night, Hestia made a persuasive argument that we should feed her—again—instead of watching It Came from Outer Space (1953).
Have some links.
1. I wish Adam Schlesinger were around to appreciate Sub-Radio's "Stacy's Dad" (2022).
2. Please anyone with sense make a movie from the photo which leads off this interview with Chloë Sevigny.
3. By stumbling into one of its chapters, I have just discovered the full open-access text of The Dybbuk Century: The Jewish Play That Possessed the World (ed. Debra Caplan and Rachel Merrill Moss, 2023), my sole complaint being that I feel it stole its title from Gwynne Garfinkle or Rebecca Fraimow or Jeannelle M. Ferreira.
4. I have not yet listened to Michael Symmons Roberts' Danger 2023 (2023), but I will be fascinated to see if it works with its conceit as directly as Richard Hughes' Danger (1924).
5. Because everyone is sharing it and I can't draw Jack Griffin covered in cheese snack crumbs: "The dye in Doritos can make mice transparent."

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#5: So it’s kind of like the opposite of Gentian Violet?
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Funnily enough, I was just coming here to put a random tumblr link on your last post, and then the last post turned out to be this one you'd just made. tumblr post, anyway: https://www.tumblr.com/ancientcharm/749086552131534848?source=share
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I didn't realize that Hestia could look so winsome! I think she has done so in narrative here at least once before, but the evidence is amazing.
P.
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I have never seen Hestia starring as Helpless Kitton Baby. Look who's good at ingenue parts!
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"Stacy's Dad" is **hilarious**, will share with my kids STAT. (I loved "menage a garage.")
Nobody argues for anything quite as persuasively as a cat.
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