When I'm reaching deep down into my senses
Bad: This is the third night in a row I have not slept. I am beginning to feel very frayed around the edges and I hurt all the time.
Good: I am reading tonight at Pandemonium Books & Games! Come hear me read different stories and answer different questions than at my previous appearances. I don't think it should be a selling point that I might be tired enough to speak in tongues.
On the strength of their "Save the People,"![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
spatch and I really feel the Mountain Goats should just do a full-album cover of Godspell or a concert revival or something.
On the strength of "Soft Stud," I am having trouble waiting for the rest of Black Belt Eagle Scout's Mother of My Children (2017/2018). Queer Native feminist alternative rock? Do you want to take my money now or yesterday?
Talking about Neue Sachlichkeit withmoon_custafer reminded me of Max Beckmann's Double Portrait (1946). I visit it whenever I am at the MFA; it's one of my favorite pieces of the museum, along with the stamp seal with a suḫurmāšu or Ellen Day Hale's Self Portrait (1885). I like Beckmann's portrait of Perry T. Rathbone (1948), but the other one keeps coming back to me.
Good: I am reading tonight at Pandemonium Books & Games! Come hear me read different stories and answer different questions than at my previous appearances. I don't think it should be a selling point that I might be tired enough to speak in tongues.
On the strength of their "Save the People,"
spatch and I really feel the Mountain Goats should just do a full-album cover of Godspell or a concert revival or something. On the strength of "Soft Stud," I am having trouble waiting for the rest of Black Belt Eagle Scout's Mother of My Children (2017/2018). Queer Native feminist alternative rock? Do you want to take my money now or yesterday?
Talking about Neue Sachlichkeit with
moon_custafer reminded me of Max Beckmann's Double Portrait (1946). I visit it whenever I am at the MFA; it's one of my favorite pieces of the museum, along with the stamp seal with a suḫurmāšu or Ellen Day Hale's Self Portrait (1885). I like Beckmann's portrait of Perry T. Rathbone (1948), but the other one keeps coming back to me.